弗兰克（莱昂纳多·迪卡普里奥 Leonardo DiCaprio饰）是FBI有史以来年龄最小的通缉犯。他的犯罪手段神通广大，伪装身份的能力超乎常人，全美各地几乎都留下他的犯罪足迹。乔装医生、律师、飞行员，统统都是他曾经的身份。当然，弗兰克凭着这个“本领”，骗取了高达几百万的金额。 活得逍遥快乐的弗兰克这次又成功伪造了一份学历证明，去医院做起了大夫。弗兰克不但在这里认识了护士布雷达（艾米·亚当斯 Amy Adams饰），二人擦出爱火花，还通过布雷达的父亲得到了一份检察官助理的优差。然而，这只是暴风雨前夕——一双眼睛已经盯住了弗兰克，誓要把他绳之于法不可。这就是FBI探员卡尔（汤姆·汉克斯 Tom Hanks饰）。 在研究追捕弗兰克的过程中，卡尔领教到这个犯罪天才的过人智商。他屡次被弗兰克这个黄毛小子捉弄，心里又恨又不得不佩服。每当弗兰克有惊无险地从他的精心布局中逃脱时，这个猫鼠游戏显得有趣起来……
恶霸李大业一次猎巡途经风沙客栈, 强行奸污了老板之小女玉莲, 并残杀了其家人. 迟归的哥哥汉清(客栈主之子)目睹家中之惨状, 发誓报此血仇. 他准备报仇之时，巧遇李大业的手下强抢翠凤，他救下翠凤，并进一步与李大业正面交锋。此时李大业手下又增加了一个外来高手陈俊和两个日本浪人，汉清面临巨大挑战……
A marshal tries to bring the son of an old friend, an autocratic cattle baron, to justice for his role in the rape and murder of the marshal's Native American wife.
小黄鸭大电影《妈妈咪鸭》讲述了雁群往南方迁徙的途中，“最棒飞行家”大鹏桀骜不驯爱捣乱，和他的女友晶晶调情时不慎撞散了一群赶路的小鸭子。不服管教的大鹏决定单飞，不得已和两只落单的小鸭子淘淘、憇憇组成了“临时父子档”，踏上了一路乌龙的寻亲和南迁之旅。 他们经历了一连串惊险、刺激又有趣的冒险。划过壮美的梯田，爬过冷峻的山脉，遇上好心收留他们的母鸡和妻管严公鸡、搭乘春运
妻子失踪，丈夫（孙正宇）寻找妻子多年，却意外的卷入了一宗刑事案件，孙在寻找妻子的过程里发现了一个贩卖人体器官的（日本）组织并深入调查，自己却身陷重围，最后协助追捕自己的警官刘武火击败犯罪分子并救一个面临死亡的小女孩儿……
Isithumankind’sgreatestachievement?12billionmilesawayatinyspaceshipisleavingourSolarSystemandenteringthevoidofdeepspace.Itisthefirsthuman-madeobjectevertodoso.SlowlydyingwithinitsheartisaplutoniumgeneratorthatwillbeatforperhapsanotherdecadebeforethelightsonVoyagerfinallygoout.Butthislittlecraftwilltravelonformillionsofyears,carryingaGoldenRecordbearingrecordingsandimagesoflifeonEarth.InalllikelihoodVoyagerwilloutlivehumanityandallourcreations.Itcouldbetheonlythingtomarkourexistence.Perhapssomedayanalienwillfinditandwonder.ThestoryofVoyagerisanepicofhumanachievement,personaldramaandalmostmiraculoussuccess.Launched16daysapartinAutumn1977,thetwinVoyagerspaceprobeshavedefiedalltheodds,survivedcountlessnearmissesandalmost40yearslatercontinuetobeamrevolutionaryinformationacrossunimaginabledistances.Withlesscomputingpowerthana...
70多岁的农民老刘被儿女无情地赶出了家门，寒冷的冬天里他一个人在生死之间艰难挣扎、选择，他和仅有的一头老牛一起感受着人生最后的悲凉⋯⋯
Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high. To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults. At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to formalism for its own sake have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding. Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.
人到四十的香港某中学国文教师林耀国（张学友）是业已消失的“好好先生”。念书时是学校里有名才子的他，如今面对飞黄腾达、闲来便会打打高尔夫球的昔日同窗，只收获了一份难言的失落，但在他的“坏学生”胡彩蓝（林嘉欣）眼中，他却是有内涵的成熟魅力男。 胡彩蓝身上有几分林耀国妻子文靖 （梅艳芳）当年的影子，她的大胆示爱令林耀国勾起一段深埋在心底的往事，触动心中伤痛，当年的浪漫诗意梦想渐渐只能压在箱底，而选择承担下的本不属他的责任却一背背了二十年。外加其它突如其来的事，一时令他无所适从，然而他却必须作出选择。
少林奇葩三兄弟，小龙、小虎、小豹，因师傅传授武功秘籍以及参加武术大赛之事发生争执，一气之下，小龙和小豹离开少林，寻找另一位武术高人以求学得少林武术秘籍。在这个过程中无意发现一众日本人正在一个刚兴建的四合院中盗墓，经过调查分析，他们企图盗取一套明代文物，这些文物是明代时期根据少林武术招式锻造的人物雕像系列，这些雕像栩栩如生，很准确传神的把武术招式刻画了出来，以传后人，弥足珍贵。一场精彩纷呈、酣畅淋漓的保卫战徐徐展开了……