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  • 1980 2.0

    情侠追风剑

    邵氏在八十年代的大型武俠片《情俠追風劍》,演員陣容強勁,再加上金庸著作,吸引力非凡。武功強勁的白一鵬(凌雲)全家遭「冷血五祖」殺害,白闖冷家報仇,卻遇上生性善良的冷秋霞(李麗麗),了解下二人相戀,白被冷家追殺下跳崖,眾人以為白已死。冷靈芝(妞妞)乃是白與秋霞女兒,後來聯同父徒弟夏侯曉桐(汪禹),將「冷血五祖」殲滅……

  • 1958 3.0

    穆桂英挂帅

    杨家将屡次率兵击溃外来侵略军,保住了大宋江山,天下太平。杨家将孙媳穆桂英随佘太君辞宫还乡,安居20载,又遇了东安王造反,佘太君关心国家安危,命重孙杨文广、杨金花兄妹赴汴京探听消息。适逢宋王在校场上选拔将才,奸臣王强之子王伦,武艺平庸,却气焰万分,王强向宋王力保王伦为元帅,杨文广兄妹不服,冲进校场,与王伦比武,刀劈王伦。宋王原先以为杨家已绝后,正苦于无人领兵平乱,今见杨家还有这武艺高强的杨文广,并得知女英雄穆桂英尚健在,

  • 2022 1.0

    烈探粤语

    讲述了东南亚某国华人干探张荼(任贤齐饰),为救落入人贩之手的儿子小介,不惜孤身奔赴千里之外的他国,和亦敌亦友的钦貌苏(陈瑶饰)一起捣毁一个庞大的国际人贩集团的故事。

  • 2012 5.0

    5分钟带你看完美国恐怖电影#床下魔怪

    曾经一系列事件让霍斯曼一家经历了巨大的变动。在母亲去世后,作为长子的尼尔(约翰尼·韦斯顿JonnyWeston饰)因精神问题与家人暂时离别。两年之后,父亲泰瑞(皮特·霍登PeterHolden饰)迎娶新妻安吉拉(穆赛塔·万德MusettaVander饰)。借此机缘,尼尔得以回到家中,并与日夜思念的弟弟保列(盖特林·格里菲斯GattlinGriffith饰)重聚。短暂的快乐并未持续多久,旧日的噩梦很快抬头。尼尔坚信当初他的床下藏有恐怖妖怪,而这一切似乎也与母亲之死些许相关。他依旧神神叨叨的样子令父亲又苦恼又气愤,孤独无助的他只有依靠与自己感情最深的弟弟。栖息黑暗深处,时刻威胁着兄弟俩的恶魔,即将带来更加难以遗忘的噩梦……

  • 2003 9.0

    新世纪福音战士 2003重制版

    TV2003重制版,是为庆祝EVA企业十周年而重置的版本,画面和音效都有提升。在TV95版的基础上重制了21-24四话重制的部分称作“Video”。加上原有的26集,03版共26话,一共30集。这个版本中21与22,23与24,25与26,27与28都是相同的内容。只不过21,23,25,27和原来一样,而22,24,26,28中增添了一些新的东西。突袭世界的大灾难“第二次冲击”后,世界在废墟之上重建。14岁的少年碇真嗣被父亲碇元渡叫到第3新东京市。本以为能见到父亲迎接的他,却见到名为“使徒”的巨大生物与军队交火。危急之下,特务机关NERV的葛成美里将真嗣救下,并将其带往碇元渡所统领的NERV总部。但迎接真嗣的,却是是父亲冷酷地命令:驾驶称为“EVA”的巨大人型机器人与使徒战斗。本已表示拒绝的真嗣,看到重伤的替补驾驶员绫波丽后,决定遵从父亲的命令。就这样,从未受过作战训练的真嗣,准备驾驶EVA初号机迎战使徒。不断袭来的使徒,身份不明的绫波丽,从德国来的驾驶员惣流·明日香·兰格蕾,14岁的少年要面对远超自己能力的挑战。而碇元渡不动声色地观察一切,一个称为“人类补完计划”的神秘计划正在按照他的计划实现。

  • 2016 4.0

    胡奇才决战新开岭

    故事主要描写我辽东军区第四纵队司令员胡奇才在东北新开岭一带,全歼号称千里驹的国民党第二十五师的战斗故事。

  • 2020 4.0

    倩女幽魂:人间情

    书生宁采臣(陈星旭 饰)进京赶考,在某日深夜为了躲雨而进入了废弃的兰若寺,哪知道在这里竟然遇到了一位绝世美女聂小倩(李凯馨 饰),不仅如此,聂小倩还非常主动的对宁采臣投怀送抱。原来,聂小倩是一名女鬼,专门替她的主人黑山老妖(徐少强 饰)勾引男人,让黑山老妖可以吸食他们的精气。  然而,无论聂小倩如何像宁采臣搔首弄姿,后者都不为所动,头一次见到如此正直之人,聂小倩心动了。当宁采臣知道了聂小倩的真实身份之后,决定和驱魔道士燕赤霞(元华 饰)联手,将聂小倩从黑山老妖的掌控之下解救出来。

  • 1948 7.0

    欧洲的某个地方

    Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high.  To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults.  At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to formalism for its own sake have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding.  Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.

  • 2023 10.0

    制霸擂台梦第一季

    肯塔基州路易斯维尔的俄亥俄谷摔跤是一家地区摔跤馆,其校友包括布洛克莱斯纳、米兹、约翰塞纳、戴夫巴蒂斯塔和兰迪奥顿。 这家健身房曾经是有抱负的职业摔跤手引以自豪的精修学校,但后来却陷入了困境。 著名摔跤手艾尔斯诺(Al Snow)坚持老派摔跤理念,非常重视讲故事,但尽管有一些铁杆粉丝的喜爱,健身房却每周都在努力保持足够的相关性以保持其大门敞开。 财务状况变得如此严峻,阿尔不得不将多数股权出售给一群当地商人,其中包括肯塔基州最受欢迎的广播名人马特琼斯。 马特和新的所有权集团为这家陷入困境的健身房注入了急需的现金,但它的运营仍处于惊人的亏损状态。 新老板给了艾尔一个夏天的时间来扭转局面。 《摔跤手》记录了艾尔和他的一群有抱负的摔跤手在与个人野心和彼此斗争的过程中所做的努力,同时他们试图团结起来拯救这座历史悠久的体育馆。

  • 2018 4.0

    亲爱的野兽

    一个年轻女孩在父母去世后与一名危险的逃亡精神病患者成为朋友。

  • 2022 2.0

    21-22赛季NBA季后赛东部R1G3 热火VS老鹰

    4月23日 21-22赛季NBA季后赛东部R1G3 热火VS老鹰

  • 2017 10.0

    魔法使的新娘

    羽鸟智世(种崎敦美 配音)表面看来只是一个略微冷淡的平凡少女,实际上却隐藏着可怜的身世。年幼时,智世的母亲自杀,父亲离家出走,无处可去的他在十五岁那一年成为了商品被地下拍卖会组织卖给了名为艾利亚斯(竹内良太 配音)的魔法使。其实,智世拥有着夜之宠儿的特殊体质,能够在无意识之中吸收外界所散发的魔力,是十分稀有的物种。  智世成为了艾利亚斯的助手,利用自己的超能力帮助艾利亚斯解决教会委托的任务。在此过程中,艾利亚斯的温柔和体贴不断的治愈着智世的内心,智世也渐渐学会了使用自己的能力去将周遭的世界改变的更加美好。

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