济州岛最南端的海域上，石油勘探船“月食号”深入海底2500米下的第七矿区石油开发区进行石油勘探。船员们都雄心勃勃，斗志昂扬，梦想着开发巨大的油田，报效国家。然而，无数次的勘探作业都以失败告终。因此，总部下达了撤离矿区的命令。总部派来船长郑万（安圣基 饰）劝说大家撤离。因为父亲曾经葬身这片海底，设备管理员俊海（河智苑 饰）不愿辜负父亲所望就此离去。她坚信这片海底藏有石油，因此拒绝听从撤离命令。本部发出最后通牒，所有船员必须在一个月内整理撤退。当俊海和船员们正在进行最后一次石油探测尝试时，突然，与本部联系的信号中断了。惊恐之中，船员们感觉到有什么东西正潜伏在这片大海中，怪异恐怖的氛围笼罩了“月食号”。接着，船上的人一个接着一个离奇地死去……
儒雅多金的大叔朝乾（冯雷 饰）和深爱自己却又深陷“疑心病漩涡”的妻子梅梅（翁虹 饰）正处于婚姻的“更年期阶段”。刚毕业的芊儿（温心 饰）为了成名，不得不抛弃自己的草根男友严亮（万国鹏 饰），转而接受朝乾的造星计划。一个颜值已逝却依然善良的妻子，一个愿意为博爱人一笑而倾其所有的草根男友，两对恋人都面临最终的选择，是现任变前任，还是和好恰如初见......
习武大成的宏伟刚刚回到老家，就被成为混混的发小佬桑将未婚妻绑架，逼着他去参加拳赛赚钱，决赛中故意被佬桑打败，让其赚取高额赔率。宏伟被佬桑暗下黑手打成内伤，未婚妻马霖推着他四处求医，医院的治疗后又找师姑南飞燕治好后，宏伟的伤势基本痊愈。此时外国密谋组织针对华夏的青年武道大赛，伤愈的宏伟奉命参赛。当宏伟一路高歌，顺利进入半决赛，发现对手是改练国外格斗技的佬桑。宏伟拼着受伤击败佬桑，却暴露了快腿不完善的弱点。因为弱点被透析，总决赛中宏伟被日本人伊势明打的节节败退，危急关头悔悟的佬桑突然冲入场中护住宏伟，被打的濒临死亡。此时宏伟悲愤交加，终于感悟快腿最后一式，将伊势明打败。
A young woman is killed on her way home from a lavish yacht party and a suspect is identified as a veteran who had been on several Army operations with Crosby.by:www.tuikan.cc
1953年，苏联援助建设哈尔滨电机厂的军工项目RH—1电机，苏联派出百名专家组成的专家团，乘国际列车奔向哈尔滨。我公安战士同欲炸毁松花江大桥的潜伏的中外间谍进行的特殊斗争，粉碎了敌对势力的得代号“福音计划”保卫了老江桥及国际列车的故事。
Middle class student Bob Letellier enters a new world when he meets Alain, a free-thinking rebel who, along with his group of young Parisians, has opted for a life of instant gratification instead of work and commitment. At a party, Bob meets a young woman, Mic, who appears to be just as carefree and cynical as Alain. Mic's only dream is to own a luxury car, and with Bob's help, she manages to find the money to but it. Mic's friend Clo discovers she is pregnant and, not knowing who the father is, she asks Bob to marry her. When they next meet at a party, Bob and Mic deny that they have any feelings for one another - a declaration that soon leads to tragedy... Marcel Carné is widely regarded as one of the standard bearers of French quality cinema of the 1930s and 1940s, responsible for such masterpieces as Quai des brumes (1938) and Les Enfants du Paradis (1945). How ironic then that, in 1958, towards the end of his film-making career, he should make a film which dared to portray the attitudes and behaviour of the 1950s youth, in a way that effectively captures the mood and sentiment of the time. Les Tricheurs was a hugely controversial film, not least because of its blatant depiction of adolescent free-love, and was even banned in some regions of France. It also received some intensely unfavourable reviews, most notably from the young hotheads on the Cahiers du cinéma such as François Truffaut who cited this film as a prime example of the decline of French cinema into mediocrity. In spite of all this negative press, the film proved to be an astonishing commercial success, attracting five million cinema-goers, and was awarded the Grand Prix du Cinéma français in 1958. Whilst Les Tricheurs is not as flawless as Carné's earlier masterpieces, it is nonetheless a significant work, having the power to both shock and move its audience, whilst having great entertainment value. It evokes the mood of its time in a way that few French films of this period did, depicting young people as pleasure-seeking rebels, rejecting the austerity and discipline of the previous generation whilst pursuing a life without cares, responsibilities or love. Similarities with James Dean's films of the 1950s (most notably Rebel without a Cause) are apparent, although Carné's treatment of young people is far more abstract - in his film they merely symbolise a world that has lost its way, more or less victims of post-war prosperity. Although the young people in Les Tricheurs lack the authenticity to be totally credible, the film does make an important, and indeed quite disturbing point, about where the permissive society may be heading. Much of the pleasure of the film is in the performances from its four lead actors, Jacques Charrier, Pascale Petit, Laurent Terzieff and Andréa Parisy, although only Terzieff is really convincing in his role. Marcel Carné originally considered Alain Delon and Jean-Paul Belmondo for the parts of Bob and Alain respectively, before opting for Charrier and Terzieff. As a consolation, Carné offered Belmondo a smaller part in the film - alas too small for the actor to be noticed by the public. Belmondo's breakthrough had to wait until the following year when he starred in Jean-Luc Godard's revolutionary A bout de souffle, a film which offers a very different perspective of the youth generation.
Joel, a caustic 1980s film critic for a national horror magazine, finds himself unwittingly trapped in a self-help group for serial killers. With no other choice, Joel attempts to blend in or risk becoming the next victim.
一部科幻喜剧电视剧。该剧主要讲述小外星人与妹子们的故事。
23岁的设计师小米，由于幼年的一次意外，在心灵上受到了严重的打击，而生理也产生了紊乱，不仅生理期比同龄女孩晚了三年，而且严重的不规律，这使得小米的工作不在状态，爱情也是一片空白。在室友沙丽的苦劝之下，小米听取心理医生的开导，决定在2011年“找个男人狠狠爱”。\r无意之中，小米在常去的一家餐厅经常碰到有一个同样只点“蛋包饭”的外科医生宇哲。而从餐厅老板的话语之中得知，宇哲在这家餐厅整整吃了三年的“蛋包饭”，只为等待一个女人的归来。正在小米十分期待那位能让男人吃三年蛋包饭的女人是什么模样时，宇哲的女友东慧突然一天出现在这家餐厅。东慧正是宇哲深爱的女人，但是刚刚的见面，却听到的是东慧已经在国外订婚，这次回来只是道声珍重。在看着心爱的女人跟着一位法国人扬长而去，宇哲的深心受到深深的挫伤。而此时的小米极度同情宇哲，不仅仅是俩人都爱吃“蛋包饭”，更重要的宇哲对爱情的那份执守。在经过一番过程之中，小米与宇哲正式确定恋爱关系。从此，小米整个人大变模样，工作、生活井井有条。\r然而，在小米一次因工作关系路过宇哲所住的小区，无意之中去了宇哲家，却目睹了宇哲与东慧的暧昧之情。小米伤心至极，选择了不道而别。事隔一年之后，小米因公差路过成都，又来到曾经解缘的蛋包饭餐厅，却发现餐厅名字已改为“等待慧?米”，小米不解，忍不住进了餐厅，又点了“蛋包饭”，却发现是宇哲亲自送来蛋包饭。宇哲告诉小米，原来东慧没用去国外结婚，而是得到了难愈之症去世，为了骗过宇哲才用善意的谎言。宇哲决定把自己全部对东慧的爱都投入到小米身上，所以，把家里的房子买掉，盘下了这家餐厅，不仅改了餐厅名字，更学会了自己作“蛋包饭”……一段爱有延续、爱有来世的唯情故事，尽在影片中感人呈现！
《白银帝国》描写的山西票号“天成元”堪称清代的全国“金融大鳄”，它掌控全国金融，兼营存放款，生意鼎盛时拥有中国各地以及俄国、蒙古、日本及南洋的二十三个分号，富可敌国。本片的主轴正是“天成元”这一商业帝国两代之间的传承故事。除了纠缠父子二人与一奇女子的三角恋情之外，更是借此传承过程表现中国两大思想体系－－法家与儒家的义理之争。在影片中，又通过对绑匪横行、八国联军、辛亥革命等一系列历史事件的背景展示，凸显出“商人重义”这一晋商不同于其它的仁义精神。
卢克有自闭症，一直在爷爷奶奶的照看下生活，当奶奶去世之后，他的生活乱成一团，只得与亲戚一起生活，可这些亲戚尖酸刻薄，看见他和年迈的爷爷就烦，很快就把爷爷赶到了眷老院，爷爷临走时，嘴里断断续续地叮嘱卢克：“出去工作吧，找个好姑娘，自己照顾好自己，做个大丈夫”，平生第一次，卢克有了自己的打算，他即将开始新的人生。
2022年4月9日 2022赛季亚冠小组赛B组第一轮 阿尔贾泽拉VS巴格达空军