一名法医在案件侦破中努力确定自己的角色。
影片讲述了主人公保罗因为自幼目睹父母去世而失去记忆并不能讲话，被两个姑母收养之后展开一段音乐之旅，即便他成年后已经三十多岁了，他还是不说话，直到一次偶然的机缘，他从童年回忆中解锁并激活了自己的幻想世界。
影片《三年》聚焦在“精准扶贫”工作中的“扫黑除恶”与村霸恶势力，展开一场正义与邪恶的较量以三年驻村帮扶期为时间轴，以常年工作和生活在乡村一线驻村帮扶干部为原型，以点点滴滴的帮扶实例实绩为蓝本，旨在生动展现党中央实施减贫战略的丰功伟绩和正确决策，坚决打赢精准扶贫，扫黑除恶攻坚战的真实案例。故事斗转千回，扣人心弦，耐人寻味。反映了新时代共产党人，为人民对党忠诚服务人民的感人故事。
Whilevisitingamassacrememorial,aphotographerfindsherselfdrawntoalocalwoman.Buttheirromancestirsuppainfulmemoriesofasharedpast.
这部纪录片剧集跟拍六支足球队及其队长，记录他们争取 2022 年国际足联世界杯参赛资格的历程 — 有人凯旋而归，也有人失意心碎。
成成中学师生游击队在转移过程中和日本鬼子在沙沟遭遇战以后，由校长刘彦忠带领师生来到了武清县，大战之后，学生们的思想产生波动，是留下来继续战斗？还是回家去逃避保家卫国的责任？学生们陷入饥饿、伤痛、战后恐惧、居无定所的痛苦之中。每个学生都在考虑着去留的问题，这是在所难免的，是必然的。因为他们必定仅是刚拿起枪的学生，而不是久经沙场的战士。激烈的思想斗争在学生中蔓延。校长、延安派来的教官及时的组织党员学生以及学生中的积极分子，带头做思想工作，帮助同学们挺过最艰苦时期。面对艰苦时期，有的学生靠拢组织，坚定信念，克服困难。有的学生则遇难而逃，想着回家去过安稳的生活，继续上学。在党中央毛主席，周副主席为保护成成中学师生游击队这支特殊的队伍命令部队向大青山转移，正名为青山支队。
富家女Laura在生日当晚回家后被神秘人强暴并撞伤后脑，成为躺在病床上的植物人。奶奶（罗兰饰）出重金希望抓到凶手。 大律师菜子（林熙蕾饰）一直被暴力倾向的男友强暴，由于法律不限制固定关系内的性行为，她一直无法起诉男友。无助的她只有求助心理医生海兰（黎姿饰）的治疗。 海兰早年受恩于Laura奶奶的资助得以去英国留学，并回港开诊所。知恩图报的她决定替奶奶抓到凶手，并带领自己的病人Bond女（李菲饰）、pinky（张文慈饰）、阿moon（李婉华饰）以及菜子一同组成了一个调查小组，女人们决定用自己的力量将凶手找出来......
Middle class student Bob Letellier enters a new world when he meets Alain, a free-thinking rebel who, along with his group of young Parisians, has opted for a life of instant gratification instead of work and commitment. At a party, Bob meets a young woman, Mic, who appears to be just as carefree and cynical as Alain. Mic's only dream is to own a luxury car, and with Bob's help, she manages to find the money to but it. Mic's friend Clo discovers she is pregnant and, not knowing who the father is, she asks Bob to marry her. When they next meet at a party, Bob and Mic deny that they have any feelings for one another - a declaration that soon leads to tragedy... Marcel Carné is widely regarded as one of the standard bearers of French quality cinema of the 1930s and 1940s, responsible for such masterpieces as Quai des brumes (1938) and Les Enfants du Paradis (1945). How ironic then that, in 1958, towards the end of his film-making career, he should make a film which dared to portray the attitudes and behaviour of the 1950s youth, in a way that effectively captures the mood and sentiment of the time. Les Tricheurs was a hugely controversial film, not least because of its blatant depiction of adolescent free-love, and was even banned in some regions of France. It also received some intensely unfavourable reviews, most notably from the young hotheads on the Cahiers du cinéma such as François Truffaut who cited this film as a prime example of the decline of French cinema into mediocrity. In spite of all this negative press, the film proved to be an astonishing commercial success, attracting five million cinema-goers, and was awarded the Grand Prix du Cinéma français in 1958. Whilst Les Tricheurs is not as flawless as Carné's earlier masterpieces, it is nonetheless a significant work, having the power to both shock and move its audience, whilst having great entertainment value. It evokes the mood of its time in a way that few French films of this period did, depicting young people as pleasure-seeking rebels, rejecting the austerity and discipline of the previous generation whilst pursuing a life without cares, responsibilities or love. Similarities with James Dean's films of the 1950s (most notably Rebel without a Cause) are apparent, although Carné's treatment of young people is far more abstract - in his film they merely symbolise a world that has lost its way, more or less victims of post-war prosperity. Although the young people in Les Tricheurs lack the authenticity to be totally credible, the film does make an important, and indeed quite disturbing point, about where the permissive society may be heading. Much of the pleasure of the film is in the performances from its four lead actors, Jacques Charrier, Pascale Petit, Laurent Terzieff and Andréa Parisy, although only Terzieff is really convincing in his role. Marcel Carné originally considered Alain Delon and Jean-Paul Belmondo for the parts of Bob and Alain respectively, before opting for Charrier and Terzieff. As a consolation, Carné offered Belmondo a smaller part in the film - alas too small for the actor to be noticed by the public. Belmondo's breakthrough had to wait until the following year when he starred in Jean-Luc Godard's revolutionary A bout de souffle, a film which offers a very different perspective of the youth generation.
2007年由馆广、新垣结衣出演的真人版《爸爸和女儿的7天》时隔15年再次翻拍。除了相信更换了的爸爸恭一郎和女儿小梅能回到原来的日子而奋斗的以往的故事之外，想和中意的健太前辈结合的小梅和不想被健太前辈夺走女儿的恭一郎然后，比起小梅，恭一郎的性格更吸引人的健太前辈“爸爸、女儿和男友”之间展开了奇妙的三角关系。
刚开学就因感冒卧床不起的吉冈结子，收到了班长松原打来的电话。结子听着电话那头好听的声音而心跳不已，但第二天上学才发现松原同学竟然是个头戴着纸袋的迷之男子......结子那有点奇怪但让人心动的高中生活就此拉开序幕