故事的舞台是互联网系统发达的都市「DENCITY」。在那里有经由巨型企业「SOL技术社」通过高度的网络技术构筑而成的被称为「LINKVRAINS」的VR空间。人们都在那个VR空间中为体验到全新的决斗而狂热。可是在「LINKVRAINS」中却出现了利用决斗来进行黑客行为的谜之黑客集团「海诺因骑士团」。而他们的目标是将存在于互联网的某处的“AI们的世界=电子界”毁灭。然而在世界受到这样的威胁时，有一名决斗者站了出来。而他的名字正是「Playmaker」。在那场传奇的战斗中，「Playmaker」使用压倒性的决斗将「海诺因骑士团」打倒，成功捕获了「SOL技术社」和「海诺因骑士团」都想要得手的迷之AI程序。一度拯救了世界，然后却突然消声匿迹了，而他的名字就在互联网的世界中一瞬间变得声名远播，成为了传说。而现在，作为「Playmaker」的正体的某位高中生藤木游作，为了寻找过去发生的某件事件的真相，对再次在「VRAINS」出现的「海诺因骑士团」展开了追击......以此为契机，命运的齿轮就此转动……迷之AI的真身，「海诺因骑士团」盯上「LinkVrains」的目的，以及隐藏在游作过去的真相到底是———所有的答案，都在「LinkVrains」中
海伦（斯蒂芬妮·莱昂尼达斯 Stephanie Leonidas 饰）从小在马戏团长大，可是身边那些让所有孩子兴奋的事物却只能让她感到厌倦，她想逃离这种不真实的生活，因此和父母发生冲突。不幸接踵而至，先是妈妈（乔安妮·坎贝尔 Joanne Campbell 饰）在表演中倒下，住进医院，接着父亲透露马戏团经营陷入危机。心怀压抑和愧疚的海伦进入一场梦境，那里由光明女皇和黑暗女皇同时统治，但是光明女皇病倒了，世界的平衡被打破，海伦受托去寻找“镜面具”，以拯救这个梦中世界。在小丑瓦伦丁（贾森·巴瑞 Jason Barry 饰）的陪伴下，海伦踏上寻找“镜面具”的路途，似乎只有先拯救梦境，才可以拯救现实……
该片是2019年推出的动画《巴加的工作室》的续篇，以KOHATA动画工作室为舞台，讲述在这里制作动画的人们，和类似仓鼠的生物“巴加”之间的日常故事。
金牌影后沐妩在系统萌萌君的陪伴下，阴差阳错，重生到古代皇宫， 从此变身傲娇王妃， 开启勇夺皇后宝座的开挂人生……
性格清高、倔强的女企业家赵敏“望女成凤”，将大堆的学习任务压在十六岁女儿乔冰头上。倔强、叛逆的乔冰不堪忍受母亲的“暴政”愤然离家出走，旅行途中，乔冰因一场误会与乡下女人陈三娥纠缠在一起，恰在此时，陈三娥的女儿小翠因为无法忍受母亲的“霸权”行为离家出走，乔冰和陈三娥展开寻找小翠的行动。贼窃包德贵和助手“绿毛”一心想发...
Middle class student Bob Letellier enters a new world when he meets Alain, a free-thinking rebel who, along with his group of young Parisians, has opted for a life of instant gratification instead of work and commitment. At a party, Bob meets a young woman, Mic, who appears to be just as carefree and cynical as Alain. Mic's only dream is to own a luxury car, and with Bob's help, she manages to find the money to but it. Mic's friend Clo discovers she is pregnant and, not knowing who the father is, she asks Bob to marry her. When they next meet at a party, Bob and Mic deny that they have any feelings for one another - a declaration that soon leads to tragedy... Marcel Carné is widely regarded as one of the standard bearers of French quality cinema of the 1930s and 1940s, responsible for such masterpieces as Quai des brumes (1938) and Les Enfants du Paradis (1945). How ironic then that, in 1958, towards the end of his film-making career, he should make a film which dared to portray the attitudes and behaviour of the 1950s youth, in a way that effectively captures the mood and sentiment of the time. Les Tricheurs was a hugely controversial film, not least because of its blatant depiction of adolescent free-love, and was even banned in some regions of France. It also received some intensely unfavourable reviews, most notably from the young hotheads on the Cahiers du cinéma such as François Truffaut who cited this film as a prime example of the decline of French cinema into mediocrity. In spite of all this negative press, the film proved to be an astonishing commercial success, attracting five million cinema-goers, and was awarded the Grand Prix du Cinéma français in 1958. Whilst Les Tricheurs is not as flawless as Carné's earlier masterpieces, it is nonetheless a significant work, having the power to both shock and move its audience, whilst having great entertainment value. It evokes the mood of its time in a way that few French films of this period did, depicting young people as pleasure-seeking rebels, rejecting the austerity and discipline of the previous generation whilst pursuing a life without cares, responsibilities or love. Similarities with James Dean's films of the 1950s (most notably Rebel without a Cause) are apparent, although Carné's treatment of young people is far more abstract - in his film they merely symbolise a world that has lost its way, more or less victims of post-war prosperity. Although the young people in Les Tricheurs lack the authenticity to be totally credible, the film does make an important, and indeed quite disturbing point, about where the permissive society may be heading. Much of the pleasure of the film is in the performances from its four lead actors, Jacques Charrier, Pascale Petit, Laurent Terzieff and Andréa Parisy, although only Terzieff is really convincing in his role. Marcel Carné originally considered Alain Delon and Jean-Paul Belmondo for the parts of Bob and Alain respectively, before opting for Charrier and Terzieff. As a consolation, Carné offered Belmondo a smaller part in the film - alas too small for the actor to be noticed by the public. Belmondo's breakthrough had to wait until the following year when he starred in Jean-Luc Godard's revolutionary A bout de souffle, a film which offers a very different perspective of the youth generation.
正当网络开始风行的大学校园里，外型并不出众的痞子蔡（陈小春饰）对感情认真保守，但他在网络上又表现出热情自信的另一面，能言善道。好友阿泰（张震饰）在不断追逐异性中获得乐趣，颇有心得。 后来痞子蔡在网上邂逅了代号为“轻舞飞扬”的女孩（马千珊饰），之前他从不敢奢望真爱会降临在自己身上。及时行乐的阿泰提醒他网络是虛幻的，劝他不要动情。身陷矛盾的痞子蔡还是选择了与“轻舞飞扬”相见，彼此倍感知心，然而世事难料……
"The One Hundred" tells the story of a young woman who has just returned from a foreign country. She has to stay at a hotel to quarantine, but then suddenly comes across a monster that can change its shape in a variety of ways, according to the individual that this monster possesses. The concept of the story was inspired by the story of Battambang which was told during the reig...
本片由真实故事改编而成，加入了很多元素，让整个片子不乏幽默搞笑，也不乏激情打斗。本片讲述不同家庭背景的三个初初涉足社会的年青人，通过面试进入了同一家金融公司，且被分到同一个部门。还保留有学生那份天真的她们，却不知重重的危险悄然而至。一个惊天阴谋，让他们措手不及。性格不和的他们，在这场斗争中，让他们紧抱一团。初生牛犊不怕虎，她们与黑暗势开展了一场惊险的斗争，最终瓦解了整个阴谋。总的来说，这是一部让人惊险中带点搞笑的励志电影。
本讲述了某个偏僻荒凉的森林里，六个人在一处有腐尸的露天坟场旁醒来，却好像得了健忘一般的恐怖闹鬼故事。他们无处可去，被迫把神秘事件的线索拼凑起来，最终将带领他们走进惊人的结局，而不至于使真相来的太晚。
赛貂禅是龙凤店的老板娘，在债主逼债之际被师妹玲珑所救，并为赛貂蝉招来伙计打狗棍传人李大牛、宫廷小厨胡一刀、琴艺天才程让但平静的龙凤店来了个马老三。马老三设计试图将龙凤店五人一举拿下，不料被五人识破绑了起来。马老三咬定自己是平安镖局的托，成功卧底龙凤店，可山上的弟兄误以为马老三背叛马家帮，马老三走投无路只好逃跑，黑寡妇闻风而来，马老三回来解释前因后果，使得黑寡妇原谅了马老三，两人决定弃盗从耕，携手离开。捕快李寻欢听闻龙凤店私放山贼，前来逮捕赛貂蝉归案，没想到一不小心封错了门，自己惹祸上身，正在僵持不下之际马老三与黑寡妇商议不能牵连龙凤店，又返回龙凤店决定投案自首，解了僵局，龙凤店重归平静。