半月关之事告一段落,谢怜受神武大帝君吾的传唤回天庭述职,却意外得知有神官在鬼市附近施法求救而鬼市如今的主人“血雨探花“花城,正是七日前突然辞别的红衣少年三郎,此事疑点重重,谢怜白愿请命,与风师青玄、东方武神郎千秋一同秘访鬼市探查真相……
由Kenp饰演的男主角奴隶keaw经常晚上偷偷出去，游过河流前往秘密的对岸，虽然两个人身份悬殊，但彼此深爱着对方Namtip（女主角由Bella饰演），常常在岸边约会不久，这事便被女主的父亲发现。女主的父亲派人出去并暗下杀手，并且为女主安排了婚事，女主知道男主死了之后，万念俱灰，在他们经常约会的河边自杀幸好男主及时回来，救下女主~~最终有情人能否终成眷属呢？来源：http://www.aiyoutv.com/detail/?46924.html
《假面》(페르소나)是四部短片组成的短片集，将于4月份登陆Netflix。四部短片分别由任弼星、李京美、金宗宽、全高云执导。裴斗娜、朴海秀也将出演。任弼星执导短片讲述一个魅力十足的女人，能够让任何男人为她放弃一生；李京美执导短片讲述两名女网球运动员的一场极具激情的比赛；金宗宽执导短片围绕一对在梦中再次相遇的恋人展开；全高云执导短片围绕两个发誓要甜蜜复仇的女孩展开。
由李李仁、纳豆、王少伟以及多位艺人共同主持的外景实境竞赛，号称史上最多主持人的台湾综艺节目每周邀请在线大咖嘉宾加盟，斗智斗勇完成不同任务，进行残酷又刺激的城池攻略战！
该说唱音乐类节目将汇聚来自全国各地的rapper，齐聚“说唱基地”。他们将通过层层公演考核，以音乐创作和竞演表现，决出代表新世代发声的“世代表达者”。在这里，万物皆可说唱！
在《画江湖之侠岚》的故事中，丑妹是一个身世来历成谜的孤儿，在无端被卷进一桩惨剧后，只能跟随一个叫‘陌名’的男人浪迹江湖……丑妹体内所蕴含的元炁引起了一群人的关注，这群自称‘侠岚’的人，对丑妹和陌名展开了一场疯狂的搜捕……危急关头，另一群被称作‘叛境侠岚’的人——山鬼谣、千钧、碧婷、游不动、辰月，也相继加入战斗……一个被称为‘裴左统领’的人逐渐浮出水面。他的所作所为，使曾经的侠岚成了叛徒……他的所作所为，使曾经的同伴成了敌人……他的所作所为，使曾经的侠岚驻地玖宫岺变成了人间炼狱……志同道合的人们走到一起，他们一边要躲避侠岚的追捕，一边还要寻找一个消失已久的男人。这个叫‘辗迟’男人，将决定这场战争的天平向何方倾斜……
清朝末年，政府腐败。武林人士多喜以武会友，希望借此健我国人，强我中华。朝廷担心武林人士日渐强大存有异心，派人精心策划了一场搅乱阴谋。八卦拳宗师兰广义首徒李云鹏决定揭穿洛川的阴谋，拯救被迫害的武林人士。
Middle class student Bob Letellier enters a new world when he meets Alain, a free-thinking rebel who, along with his group of young Parisians, has opted for a life of instant gratification instead of work and commitment. At a party, Bob meets a young woman, Mic, who appears to be just as carefree and cynical as Alain. Mic's only dream is to own a luxury car, and with Bob's help, she manages to find the money to but it. Mic's friend Clo discovers she is pregnant and, not knowing who the father is, she asks Bob to marry her. When they next meet at a party, Bob and Mic deny that they have any feelings for one another - a declaration that soon leads to tragedy... Marcel Carné is widely regarded as one of the standard bearers of French quality cinema of the 1930s and 1940s, responsible for such masterpieces as Quai des brumes (1938) and Les Enfants du Paradis (1945). How ironic then that, in 1958, towards the end of his film-making career, he should make a film which dared to portray the attitudes and behaviour of the 1950s youth, in a way that effectively captures the mood and sentiment of the time. Les Tricheurs was a hugely controversial film, not least because of its blatant depiction of adolescent free-love, and was even banned in some regions of France. It also received some intensely unfavourable reviews, most notably from the young hotheads on the Cahiers du cinéma such as François Truffaut who cited this film as a prime example of the decline of French cinema into mediocrity. In spite of all this negative press, the film proved to be an astonishing commercial success, attracting five million cinema-goers, and was awarded the Grand Prix du Cinéma français in 1958. Whilst Les Tricheurs is not as flawless as Carné's earlier masterpieces, it is nonetheless a significant work, having the power to both shock and move its audience, whilst having great entertainment value. It evokes the mood of its time in a way that few French films of this period did, depicting young people as pleasure-seeking rebels, rejecting the austerity and discipline of the previous generation whilst pursuing a life without cares, responsibilities or love. Similarities with James Dean's films of the 1950s (most notably Rebel without a Cause) are apparent, although Carné's treatment of young people is far more abstract - in his film they merely symbolise a world that has lost its way, more or less victims of post-war prosperity. Although the young people in Les Tricheurs lack the authenticity to be totally credible, the film does make an important, and indeed quite disturbing point, about where the permissive society may be heading. Much of the pleasure of the film is in the performances from its four lead actors, Jacques Charrier, Pascale Petit, Laurent Terzieff and Andréa Parisy, although only Terzieff is really convincing in his role. Marcel Carné originally considered Alain Delon and Jean-Paul Belmondo for the parts of Bob and Alain respectively, before opting for Charrier and Terzieff. As a consolation, Carné offered Belmondo a smaller part in the film - alas too small for the actor to be noticed by the public. Belmondo's breakthrough had to wait until the following year when he starred in Jean-Luc Godard's revolutionary A bout de souffle, a film which offers a very different perspective of the youth generation.
失踪者之夜 Night of the Missing[预告片]
The sheriff of a small town is a serial killer. A mysterious woman visits him and starts a conversation about the crimes he committed.
当你过年要见对方家长，却因与母亲存有隔阂无法解决，你会怎么做？春节将近，首席广告创意总监李朝阳（王冠逸饰）与企划总监刘子虹（刘雅瑟 饰）准备拍摄一支广告，可是在客户的要求下改为直播自己家的除夕团圆饭。二人虽然到了谈婚论嫁的阶段但一直未与对方家长见面，朝阳也与母亲李艳玲（向云 饰）不相往来，这可给朝阳出了一道难题，于是他突发奇想请了一群演员扮演自己的亲戚，这场充满欢笑与感动的故事也由此开启：未来岳父刘兰亭（郭亮饰）提前抵达，演员舅舅威哥（李国煌 饰）、演员母亲章爱家（朱咪咪 饰）、演员表弟AK（迪达思 饰）与朝阳缺少排练致使笑料不断；母亲不忍拆穿儿子，不得不成为“奶妈”为儿子送上祝福，这一路笑与泪共存，多年误会能否通过一顿团圆饭解开……
闷热潮湿却许久滴雨未下的江南小镇，一桩强奸案引起了轩然大波害者施若洁正是赵然心心念念的“女神”。当得知其家属报案只是普通的性骚扰之后，赵然觉得这个事件背后必有隐情，于是决定自己寻找线索为施若洁报仇。一时之间赵然变得焦躁难安，夜不成眠，好友武之其力劝无果。在寻到了一些蛛丝马迹，又听到了目击者的说辞之后。赵然顺藤摸瓜最终锁定了犯罪嫌疑人——拾荒老头，并亲手将他扭送到了警察局。尘埃落定，久违的倾盆大雨终于降临。当第二天赵然趾高气昂的再去警察局协助调查时，似乎一切又变得不对劲了。
继《一个复杂故事》后执导的第二部爱情电影。善良憨直的小学教师阿乐，是精神分裂症康复者，虽然渴望爱情但从来不敢恋爱。偶然机遇下，他在街头偶遇了清丽脱俗的欣欣，一见钟情却挣扎应否透露病情。踌躇之下，不幸再次病发，被幻觉缠绕。他更发现她的真正身份，竟然是个功于心计的心理辅导员？二人发展出一段悬疑曲折的禁恋，疑幻似真。