一个焦虑的纽约客，在处理个人问题的同时，试图提出日常生活的建议。
开车为生的平凡青年陈自在，偶然发现外星人竟一直伪装成人类生活在地球，偶尔露出蛛丝马迹的他们被不明真相的人类称为“妖精妖怪”。神秘组织“猎人公会”专门负责对付那些有着邪恶动机的外星人，暗中保护地球。陈自在在一次意外中卷入“猎人公会”与外星人的纷争，并得知自己居然是王牌“猎人”的后代并继承了家族的祖传“宝器”——请神灯。请神灯是一个神奇的外星黑科技，可以将人的精神力量3D打印到现实，因此陈自在理论上可以复制任何他已知超级英雄的力量，因而变得无所不能，然而事与愿违，胆小懦弱的他总请错神，把场面搞得无比尴尬......
龙套演员李大志穷困潦倒，制造自杀以骗取保险，“中环第一插手”段水流在执行任务时意外触碰到机关摔成重伤并失忆，李大志欺骗失忆的段水流。之后，大志不得不接手来自黑道的委托。失忆的段水流营救了酒吧歌手美琪，并在美琪的鼓励下从龙套演员做起。一次去见美琪哥哥，看电影《英雄本色》时忽然记忆恢复，情急混乱中段水流转身离开。李大志伪装成保安找到摆渡人询问黑钱资金事宜，坤哥在监听器中听到，得知大志的背叛，气愤赶往。最后在段水流的设计策划下，李大志和摆渡人离开了所在的城市，黑恶势力一伙被一网打尽，段水流选择了自首，美琪一个人在等待着亲人和爱人的消息。两年以后美琪也做起了演员，李大志重返A市。
黑帮老大文森佐死了，他的妻子唐纳（克劳迪娅·吉里妮 Claudia Gerini 饰）出席了丈夫的葬礼，陪在她身边的，还有文森佐生前的两大心腹罗萨里奥（Raiz 饰）和西罗（詹保罗·莫雷利 Giampaolo Morelli 饰）。实际上，这一切都是唐纳设计的一个局，文森佐系假死，唐纳的目的就是让文森佐能够脱离黑帮中的血雨腥风归隐山林，两人过上离群索居的日子。 哪知道，文森佐没有死的事情给一个性格天真单纯的小护士法蒂玛（Serena Rossi 饰）给撞破了。法蒂玛和西罗是青梅竹马的玩伴，实际上，西罗一直默默的喜欢着法蒂玛。糟糕的事情发生了，文森佐的手下竟然误以为是西罗杀死了他们尊敬的老大，对他展开了追杀。
阿莱克斯含冤入狱，18 年后被释放。出狱后，他一心想要向罗道夫·拉兹卡诺复仇，正是此人惹出的命案导致他被冤判。然而，阿莱克斯对拉兹卡诺家的小女儿爱丽莎产生了感情，事情变得复杂起来。他发现罗道夫是清白的，而另一个巧妙地隐藏在暗处的人才是让他蒙冤的元凶。
喜剧名为《准许》（Permission），讲述了一对情侣通过各自与别人睡觉来巩固他们俩的关系。 《准许》由Brian Crano自编自导，影片的主人公安娜（丽贝卡·豪）和威尔（丹·史蒂文斯）是一对多年的情侣，他们是初恋情人、又都是对方的初吻和第一次，关系十分稳固，但又缺乏激情。 安娜三十岁生日派对上，威尔准备求婚，但被他们喝醉的朋友打断，朋友醉醺醺的建议他们先别急着结婚、安定下来，而是去外面看看其他的“风景”。说者无意，听者有心，安娜真的心动了，于是和威尔商议开始“实验”：即在一夫一妻框架下，自由与其他人发生性关系。
《第四片甲骨》，是由安阳市投资拍摄的一部反映殷商文化的电视剧。该剧还是中国首部以易文化为演绎对象的文化悬疑剧，主拍摄地为安阳及周边地区，安阳的旅游名胜、风土人情、人文特色等本土文明将随着剧情的推动在荧屏上一一展现出来。
故事翻拍自阿根廷电影《4x4》，一个小偷打开了一辆停在路边的车并打算偷走车内值钱的东西，当小偷打算离开时却发现无论如何都打不开车门，原来这辆车本身就是一个陷阱
Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high. To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults. At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to formalism for its own sake have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding. Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.
30岁的河鹏古失业多时，一直靠偷父母的钱度日。他在服兵役时因不堪军旅生活的劳顿而当了逃兵，身上只有300韩元的他决定花光所有的钱买一个平价打火机。可这只打火机却被他遗失在汉城车站的厕所里，当他返回车站寻找时，却发现打火机已在黑帮老大朱宽手中。河鹏古试图要回自己的东西，却遭到毒打。随后，他暗自跟随黑帮一伙上了火车，为的只是那个打火机。
女孩林红考大学前夕，父亲由于受骗致使 他的玩具小工厂被房地产大鳄潘凯吞掉， 并为了阻拦工厂被拆迁而惨死。为报父仇 ，转而考取公安院校。几年后。从公安学 院毕业的林红已经是一名特警，但是狙击 手考试中，平时成绩优秀的她却找不到感 觉名落孙山。上级指定让大杨来训练她， 与她交往男友高峰来看她，并告诉她，他 要出国了，大杨为她办好了请假，就在她 前去机场时，她所在城市发生了一件惊天 大案。歹徒郭大雷进入了酒店，把工作人 员扣做人质，放置烈性炸弹，扬言不答应 他提出的条件，他将在二小时内引爆炸弹 。与此同时，正逢国际会议在该市举行， 多国领导人正在进行会谈，万一此案发生 ，将极大影响我国国际声誉，市长要求立 即予以平息，特警队的任务是，解救人质 ，防止爆炸案发生，组织最好的狙击手将 歹徒击毙。特警队一号二号男狙击手大杨 ，老吴担任起重担。林红也随队出发。局 ...
令人窒息的紫禁城里，连死都不可以追随个人愿意。影片由宫廷春宴上一个离奇死亡的宫女引发悬念，随着多个死因不明，肚子隆起如怀孕的宫女尸体被发现开始。这样的皇家丑闻，让皇帝大怒，下令彻查。案件扑朔迷离，环环相扣，眼看真相浮出水面真凶已定，怪事却还没有停止，到底真凶是谁？皇后一步步揭开身边伪善的假面却牵连出当年更大的惊天秘密，暗藏玄机的坤宁宫里居然藏着连自己都害怕的死亡墓地，那里囚禁着无数为了复活小阿哥而丧生的宫女，这个无人知晓的地方到底隐藏着谁的秘密？