内详
《形影不离》讲述的是发生在中国某南方城市的一个多线索和情节曲折的另类故事，它兼具剧情、心理悬疑元素：吴彦祖扮演的李越是一个工作和家里遇到麻烦不断的年轻工程师。他的妻子阿胖（龚蓓苾饰）是个貌似很情绪化的暗访记者，而闫妮饰演的上司给李越带来了不少压力。故事的开始，李越因种种原因试图自杀，却巧被他的老外邻居老查（凯文·史派西 饰）救下，俩人因此成为了好朋友。于是“失控”的他们共同踏上了生命中的一个完全意外的旅途。但老查真的只是一个普通的邻居吗？
洪剑涛饰演的老板是个吃软饭的“弱势男”，住着洋房、开着豪车，貌似腰缠万贯，实际上这些都是靠着老婆一手打下的“江山”。两人在经历了七年之痒后，婚姻却逐渐走向破裂。洪剑涛在外偷偷包小三，被老婆发现，老婆又雇私家侦探把两人偷情的过程拍了下来，以此要挟他“净身出户”。为了不让老婆抓住把柄，洪剑涛又雇小偷去老婆那里偷走拍下来的证据，结果小偷盗窃时被警察逮住了，本可以息事宁人的离婚事件最后越闹越大……
肩负时代使命，书写奋斗青春。在今年的“五四”特别节目中，多位青年榜样登上舞台，讲述他们在青春赛道上奋力奔跑的动人故事，书写着无愧于时代、无愧于历史的青春答卷。奋斗是青春最好的礼赞。今晚（5月4日）8点，让我们在《奋斗的青春—2022年五四青年节特别节目》中，感受新时代新征程上的青春风采。
1958年大跃进时期，北京的某街道积极分子刘桂英和其他家庭妇女，听完街道办事处洪书记动员妇女参加社会劳动的报告，在街道卫生委员鲁大嫂的建议下，大家决定生产老鼠夹来配合正在开展的除四害爱国卫生运动。在生产初期，她们碰到了各种各样的困难。她们不懂技术、缺乏原料，又受保守思想的阻碍，各种家务事不断打扰她们。鲁大嫂批评因家务事离开生产组的人。小业主王金才的老婆何彩霞在组里搬弄是非，使组里有的人要求退出生产组，刘桂英也发生动摇。洪书记及时帮助解决问题，刘桂英得到党的支持，坚定了信心。当夜，下起大雨，生产组的人都不约而同地赶来抢收工具和器材，这种一心为公的精神启发了每一个人。办事处要生产组试制一批弹簧，王金才是私营弹簧生产者，他也参加了生产组。一天，某农业机械学校前来订制为支援农业生产的四根拉簧，王金才以技术困难为借口，反对接受这一任务，刁难刘桂英，当他的阴谋被揭穿后，又装病不参加试制。刘桂英等经过一夜的苦战，终于试制成功。由于他们的成绩优良和生产建设的需要，生产组发展扩大建成弹簧厂，刘桂英担任厂长。1959年，洪书记把人民大会堂需要24万个沙发弹簧的任务交给了刘桂英，限期只有一个月。这一光荣任务大大鼓舞了全厂女工。正在搞地下工厂的王金才却百般阻挠。在全厂的辩论大会上，他的行径被彻底揭穿。全厂进入紧张的战斗。在党的支持和大厂的援助下，她们只用了25天就完成了24万个沙发簧的任务。宏伟的人民大会堂矗立在天安门广场西侧，刘桂英和姐妹们站在大会堂门口，展望自己工厂更壮丽的远景。
电视动画《怪怪守护神》改编自滨田义一原作的同名漫画。在2016年9月12日发售的单行本第18卷的书带上，发表了其TV动画化的决定。动画于2017年4月2日首播，全12话。极为平凡的少年·加贺见一也，某天与突然现身的和服美少女桐叶相遇了。桐叶对本应是初次见面的一也说“好久不见”。她的真实身份，是一也死去的母亲的遗物，片刻不离身的“腰带”的付丧神……。与抖S美少女桐叶一起，面对接连发生的怪异事件，“妖怪动作喜剧”就此开幕！
Middle class student Bob Letellier enters a new world when he meets Alain, a free-thinking rebel who, along with his group of young Parisians, has opted for a life of instant gratification instead of work and commitment. At a party, Bob meets a young woman, Mic, who appears to be just as carefree and cynical as Alain. Mic's only dream is to own a luxury car, and with Bob's help, she manages to find the money to but it. Mic's friend Clo discovers she is pregnant and, not knowing who the father is, she asks Bob to marry her. When they next meet at a party, Bob and Mic deny that they have any feelings for one another - a declaration that soon leads to tragedy... Marcel Carné is widely regarded as one of the standard bearers of French quality cinema of the 1930s and 1940s, responsible for such masterpieces as Quai des brumes (1938) and Les Enfants du Paradis (1945). How ironic then that, in 1958, towards the end of his film-making career, he should make a film which dared to portray the attitudes and behaviour of the 1950s youth, in a way that effectively captures the mood and sentiment of the time. Les Tricheurs was a hugely controversial film, not least because of its blatant depiction of adolescent free-love, and was even banned in some regions of France. It also received some intensely unfavourable reviews, most notably from the young hotheads on the Cahiers du cinéma such as François Truffaut who cited this film as a prime example of the decline of French cinema into mediocrity. In spite of all this negative press, the film proved to be an astonishing commercial success, attracting five million cinema-goers, and was awarded the Grand Prix du Cinéma français in 1958. Whilst Les Tricheurs is not as flawless as Carné's earlier masterpieces, it is nonetheless a significant work, having the power to both shock and move its audience, whilst having great entertainment value. It evokes the mood of its time in a way that few French films of this period did, depicting young people as pleasure-seeking rebels, rejecting the austerity and discipline of the previous generation whilst pursuing a life without cares, responsibilities or love. Similarities with James Dean's films of the 1950s (most notably Rebel without a Cause) are apparent, although Carné's treatment of young people is far more abstract - in his film they merely symbolise a world that has lost its way, more or less victims of post-war prosperity. Although the young people in Les Tricheurs lack the authenticity to be totally credible, the film does make an important, and indeed quite disturbing point, about where the permissive society may be heading. Much of the pleasure of the film is in the performances from its four lead actors, Jacques Charrier, Pascale Petit, Laurent Terzieff and Andréa Parisy, although only Terzieff is really convincing in his role. Marcel Carné originally considered Alain Delon and Jean-Paul Belmondo for the parts of Bob and Alain respectively, before opting for Charrier and Terzieff. As a consolation, Carné offered Belmondo a smaller part in the film - alas too small for the actor to be noticed by the public. Belmondo's breakthrough had to wait until the following year when he starred in Jean-Luc Godard's revolutionary A bout de souffle, a film which offers a very different perspective of the youth generation.
《老广的味道》第四季共有七集，主题为：侨味、宵夜 、佳果、野趣、香料、主厨、小吃。制作团队上山下海，搜寻大自然的美味，深入食材源地，将给大家带来最地道的老广味道。
劇集《廉政行動》由香港廉政公署製作，劇集取材自真實貪污案件，藉此宣傳肅貪倡廉的訊息，鞏固公眾的廉潔誠信意識。 (四月十六日播放三十分钟制作特辑，正片自四月二十三日起逢星期六晚上八時半翡翠台播放) 劇情透視 廉政公署接連收到多宗貪污案件，資深的調查員帶領著新入職的助理調查員為維護香港的廉潔，經歷重重挑戰…… 第一集 區議會補選候選人吳達初為求贏得議席，巧妙地繞過法規，企圖利用灰色地帶賄賂選民。廉署收到舉報決定展開調查。 第二集 助理調查主任馬家儀受訓完畢負責調查的首宗案件是鐘錶集團賄賂導遊案。調查員團隊搜証遇到各種難題，經一番努力，終於成功將涉案人士帶上法庭審訊。 第三集 商人林浩向銀行貸款部高層曹敬鴻行賄，調查過程相當費時，經一輪艱巨工作，廉署當場拘捕了兩人。但案件審訊當日主犯林浩竟棄保潛逃…… 第四集 煙草公司董事長收受香煙走私客的賄款。因為取証困...