安吉拉工作过劳，薪酬又低，她在布加勒斯特市四处奔波，为一家跨国公司委托拍摄一部“职场安全“视频的试镜。当其中一位受访者揭露了公司在他事故中的责任时一场丑间爆发了。
WhenStarButterflydestroysherwandtosaveherbestfriendMarcoDiaz,anewunicorntakesplaceofthedeadone.NowStaronlyhashalfofthestaronherwandandithasbeencleaved.Sheneedsallthepiecesofthewandbuttheotherhalfwaslostintheexplosion.JoinStarandMarcointheirnewadventureahead!
节目根据对资深美食博主和当地食客的深度调研制定出独家美食路线，并用影像的方式呈现图鉴内容，为超燃美食团提供专属美食向导，辅助美食鉴赏官穿梭城市中，找到那些最值得吃的馆子与美食名片，并在美食之下，探寻背后的故事，挖掘普通群众生活的闪光点。
所有事件都从血开始！为了正义而压抑自己的欲望的吸血鬼检察官闵泰延，以无法停止对血的欲望而活的未知吸血鬼！本能地互相认出的两个吸血鬼，为了自己的欲望和本能开始了互相追逐无法逆转的命运的对决逐渐展开！
Christy刚被男友阿勇抛弃，她一向以为失恋的女人一如大减价的货品，身价暴跌，这时要尽快觅得男人填补空虚，令身价止跌回升。失恋后，她认识了商人Johnny和速递员明仔。两个男人的背景迥异，令Christy受宠若幸，不知如何取舍。一次Christy跌倒受伤，就在她最需要男人在身傍安慰的时候，两个男人都暴露出自身的缺点。Christy省悟女人最忌在软弱时做决定，应该从容面对感情得失，自我增值才是女人避免身价贬值的最佳灵药。Helena的丈夫Jason常出外公干，但Helena却不能忍受丈夫以事业为重，忽略关怀自己。Helena逐渐变得神经质，常疑心丈夫有外遇，夫妻间渐生磨擦。寂寞的Helena在酒吧内认识了风度翩翩的Keith，Keith生活正常，乐于报告行踪，有齐Helena丈夫没有的优点，令Helena不自禁地开始了一段婚外情。Keith买了Hel...
本片根据真实故事改编。2001年秋，一对户外旅行人员在人迹罕至的深山老林中发现了两位老人，他们竟是四十多年前从村中失踪的石山（王诗槐饰）和红姑（谢兰饰）。如今的他们仿佛生活在刀耕火种的原始社会，住在自造的土屋内，点着自造的油灯，吃着自种的粮食，喝着山涧的泉水，所有的一切都自给自足。几十年来，他们生育了儿女，也收获了坚贞。近半个世纪过去了，石山靠一双手在山上俢凿了6000多级石阶，为的是不让自己的那个她出门摔跤，而他自己也从一个黒发后生变成了白发老翁，那6000级石阶被人称为“爱情天梯”，亘古的爱情令人深思......
Middle class student Bob Letellier enters a new world when he meets Alain, a free-thinking rebel who, along with his group of young Parisians, has opted for a life of instant gratification instead of work and commitment. At a party, Bob meets a young woman, Mic, who appears to be just as carefree and cynical as Alain. Mic's only dream is to own a luxury car, and with Bob's help, she manages to find the money to but it. Mic's friend Clo discovers she is pregnant and, not knowing who the father is, she asks Bob to marry her. When they next meet at a party, Bob and Mic deny that they have any feelings for one another - a declaration that soon leads to tragedy... Marcel Carné is widely regarded as one of the standard bearers of French quality cinema of the 1930s and 1940s, responsible for such masterpieces as Quai des brumes (1938) and Les Enfants du Paradis (1945). How ironic then that, in 1958, towards the end of his film-making career, he should make a film which dared to portray the attitudes and behaviour of the 1950s youth, in a way that effectively captures the mood and sentiment of the time. Les Tricheurs was a hugely controversial film, not least because of its blatant depiction of adolescent free-love, and was even banned in some regions of France. It also received some intensely unfavourable reviews, most notably from the young hotheads on the Cahiers du cinéma such as François Truffaut who cited this film as a prime example of the decline of French cinema into mediocrity. In spite of all this negative press, the film proved to be an astonishing commercial success, attracting five million cinema-goers, and was awarded the Grand Prix du Cinéma français in 1958. Whilst Les Tricheurs is not as flawless as Carné's earlier masterpieces, it is nonetheless a significant work, having the power to both shock and move its audience, whilst having great entertainment value. It evokes the mood of its time in a way that few French films of this period did, depicting young people as pleasure-seeking rebels, rejecting the austerity and discipline of the previous generation whilst pursuing a life without cares, responsibilities or love. Similarities with James Dean's films of the 1950s (most notably Rebel without a Cause) are apparent, although Carné's treatment of young people is far more abstract - in his film they merely symbolise a world that has lost its way, more or less victims of post-war prosperity. Although the young people in Les Tricheurs lack the authenticity to be totally credible, the film does make an important, and indeed quite disturbing point, about where the permissive society may be heading. Much of the pleasure of the film is in the performances from its four lead actors, Jacques Charrier, Pascale Petit, Laurent Terzieff and Andréa Parisy, although only Terzieff is really convincing in his role. Marcel Carné originally considered Alain Delon and Jean-Paul Belmondo for the parts of Bob and Alain respectively, before opting for Charrier and Terzieff. As a consolation, Carné offered Belmondo a smaller part in the film - alas too small for the actor to be noticed by the public. Belmondo's breakthrough had to wait until the following year when he starred in Jean-Luc Godard's revolutionary A bout de souffle, a film which offers a very different perspective of the youth generation.
本剧由拥有对社会的敏锐视角、曾创作出多部大热剧集的野岛伸司编剧，渡部笃郎、饭丰万理江主演，描述了现代社会一种新型的男女关系。 大叔帮帮我（日语直译为“爸爸活”）是指“只约会、但并不发生肉体关系”，从而接受男性经济援助的一种交往方式。 在本剧中，一个普通女大学生杏里（20岁），由于母亲交了新男友而被迫离开家，交往中的男友也对她不管不顾，于是杏里开始了一边在各个网咖辗转暂住一边上学的生活。一次听朋友提到了“大叔帮帮我“之后，生活所迫注册了某个运营大叔帮帮我的网站，在那里认识了45岁的航。而同一天她就在航租的公寓里一个人睡了一晚。而第二天一早，她却又以完全意想不到的形式再次见到了航……
正直干练的莳田光（刚力彩芽 饰）原本是冲在临场最前线的刑警，只不过她出现在搜查一课中也无非是警界应付公众媒体的权益之策。未过多久，她就被踢到了警视厅悬疑案件资料室，坐上了冷板凳。某天，正在认真录入信息的光突然迎来了一名不速之客，那就是茶岛法律事务所所长——兼具天才般头脑和恶魔般品性的律师茶岛龙之介（渡部笃郎 饰）。原来警视厅决定将悬案资料室改为“未决事件匿名交涉课”，茶岛律师和莳田光这两个本没有任何交集的男女以此为机缘成为了搭档。 他们剑指那些悬而未决的案件，寻找前期搜查中遗落的重要线索，揭开或被隐瞒或被忽视的真相！
所有的故事都发生在这家名叫“耐斯”的酒吧里，耐斯酒吧有一个非常霸气毒舌的女老板窦盈。在这家名字奇特、风格更加特殊的酒吧里，聚集了五个性格各异的员工，积极阳光美厨娘花米、生僻知识冷场王姚金子、耿直火爆的慕婉清，养生惜命的苏一丁，以及老板娘窦盈的暖男跟班皮特凡，看似已经看透 红尘之事的窦盈，却对皮特凡有一种恨铁不成钢的关照，而皮特凡也对这种关照甘之如饴，彼此之间的情感日益升温，濒临爆点，二人却不敢点破。在这家酒吧里，六个人一起经历了一系列爆笑仍不失温馨的小故事，繁华的都市里，六个好朋友相互扶持，经营着这家酒吧，让彼此的生活更“耐斯（nice）”。
A CIA agent who, while on assignment in Russia shortly before the fall of the Soviet Union, is captured by KGB forces and placed in a mental hospital. Eleven years later, Carville is given a chance to earn his freedom.