1930年代，中国武术之都佛山。这日，武功了得的北方武师金山找（樊少皇饰）率众来佛山踢馆，各大武馆馆主皆成他手下败将之后，他找上习得一身武艺却为人低调未设馆授徒的叶问（甄子丹饰）。在巡警李钊（林家栋饰）、好友武痴林（行宇饰）等乡邻的请求及妻子张永成（熊黛林饰）的鼓励下，叶问用咏春拳以柔克刚将金山找制服，确立在佛山的大师傅地位，李钊更私下将他视作师父。之前叶问挚友周清泉（任达华饰）有心拉他合开纺织厂，但怕与爱妻及爱子分开的他只在资金上将周支持。几年之后，侵华日军将佛山攻占，叶问同幸存下的乡邻一样，被迫携妻儿移居废屋。生计面前，叶问混在人群争抢去煤矿做苦力的机会，李钊则成为日军翻译官。日军将领三蒲（池内博之饰）是名武痴，他以一袋白米作奖赏，派李钊四处搜寻能打国人在打斗场上与日军切磋，多名昔日武馆馆主及武痴林因此惨死。这将叶问激怒，他走入打斗场。
一个男人被其未婚妻指控通奸，从而被迫搬回家与父母同居。当他为四岁女儿的监护权而战时，也逐渐卷入了父母和邻居由于一棵美丽的古树而起的争执。影片探讨了普通人之间的荒谬斗争，在其现实主义的基调下有着喜剧和惊悚元素。片中尖刻和讽刺的地方或许显得夸张，但也揭示了中产阶级背后的真相。
美国海军军官肯尼思·布莱克与未婚妻莎莉·斯蒂芬丝来到印度西海岸，想安静地度假，可是一遇上美丽神秘的莉拉一切都走了样。当莉拉说他们两个就是这个葡萄牙殖民地上（果阿），传说中的一对恋人转世，此二人在五百年前从灯塔跳海殉情时，肯尼思惊讶不己，开始并不肯相信。 不幸的是，莉拉如今嫁给了势力强大，残酷无情的大毒枭，布莱恩·米兰达，奥利弗·拉贝尔率领的国际刑警组织正在秘密调查此人。奥利弗扮成基督教牧师，既要提防当地的腐败警察，又要对付米兰达的手下，阻止他利用航运公司，走私藏在鱼腹之内的可卡因。 米兰达得知肯尼思与妻子的私情之后，开始不择手段地追杀他们。幸有奥利弗出手相救，他们才得以脱身，于是几人合谋在灯塔设下了陷阱。当米兰达带人找到了这对恋人，并与奥利弗率领的警察大打出手时，故事进入了高潮。米兰达将这对恋人逼上了灯塔的顶峰，五百年前季候风来临之时的画面再次重演了，米兰达能复仇成功吗？这对恋人终将再次迈向死亡吗？
自闭症儿童上学困难，母亲苦苦求助却屡遭拒绝，关爱自闭症儿童#喜禾
影片根据深圳一名患有自闭症的小学生,被19位家长联名上书要求将其赶出校园的真实事件改编,计划于明年春节前上映。
一批神秘的货物被驼客佟二尕运送向西。发货者贺家因这批货招致灭门之祸，为保女儿，贺家把女儿芍药嫁给塔城富商丁少爷家。而贺家万万没想到，丁少爷正打算倾尽家产，将这一批一道把所有家产换成军火支持前方。
夏天的某个周末，金小蓓（张雅琳）、张建力、侯红携带北京的朋友赵尘（黄志忠）、马洋回到长江边的家乡游玩，仍呆在故乡小县城的如今做了警察的中学同学于栋（郭晓冬）高兴过后，同他们一道迎来想藏也藏不住的现实生活中的无趣和尴尬。 金小蓓是于栋的初恋情人，她与现任男友赵尘因对未来不知所措关系很紧张；面对外表看来无大变化的金小蓓，联想起自己同老婆枯燥无奈生活的于栋打翻了心中的五味瓶。而一张写有“爱你到死”的纸条则触及了所有人内心的隐秘，各种猜忌和怀疑开始上演。
Middle class student Bob Letellier enters a new world when he meets Alain, a free-thinking rebel who, along with his group of young Parisians, has opted for a life of instant gratification instead of work and commitment. At a party, Bob meets a young woman, Mic, who appears to be just as carefree and cynical as Alain. Mic's only dream is to own a luxury car, and with Bob's help, she manages to find the money to but it. Mic's friend Clo discovers she is pregnant and, not knowing who the father is, she asks Bob to marry her. When they next meet at a party, Bob and Mic deny that they have any feelings for one another - a declaration that soon leads to tragedy... Marcel Carné is widely regarded as one of the standard bearers of French quality cinema of the 1930s and 1940s, responsible for such masterpieces as Quai des brumes (1938) and Les Enfants du Paradis (1945). How ironic then that, in 1958, towards the end of his film-making career, he should make a film which dared to portray the attitudes and behaviour of the 1950s youth, in a way that effectively captures the mood and sentiment of the time. Les Tricheurs was a hugely controversial film, not least because of its blatant depiction of adolescent free-love, and was even banned in some regions of France. It also received some intensely unfavourable reviews, most notably from the young hotheads on the Cahiers du cinéma such as François Truffaut who cited this film as a prime example of the decline of French cinema into mediocrity. In spite of all this negative press, the film proved to be an astonishing commercial success, attracting five million cinema-goers, and was awarded the Grand Prix du Cinéma français in 1958. Whilst Les Tricheurs is not as flawless as Carné's earlier masterpieces, it is nonetheless a significant work, having the power to both shock and move its audience, whilst having great entertainment value. It evokes the mood of its time in a way that few French films of this period did, depicting young people as pleasure-seeking rebels, rejecting the austerity and discipline of the previous generation whilst pursuing a life without cares, responsibilities or love. Similarities with James Dean's films of the 1950s (most notably Rebel without a Cause) are apparent, although Carné's treatment of young people is far more abstract - in his film they merely symbolise a world that has lost its way, more or less victims of post-war prosperity. Although the young people in Les Tricheurs lack the authenticity to be totally credible, the film does make an important, and indeed quite disturbing point, about where the permissive society may be heading. Much of the pleasure of the film is in the performances from its four lead actors, Jacques Charrier, Pascale Petit, Laurent Terzieff and Andréa Parisy, although only Terzieff is really convincing in his role. Marcel Carné originally considered Alain Delon and Jean-Paul Belmondo for the parts of Bob and Alain respectively, before opting for Charrier and Terzieff. As a consolation, Carné offered Belmondo a smaller part in the film - alas too small for the actor to be noticed by the public. Belmondo's breakthrough had to wait until the following year when he starred in Jean-Luc Godard's revolutionary A bout de souffle, a film which offers a very different perspective of the youth generation.
1989年的5月，一起溶尸奇案轰动香江。美丽的空中小姐Brenda（贺恩 饰）被人杀害，并投入强酸池中溶蚀分解。不久，其前男友汪德明（吴镇宇 饰）及其现任同居女友Kitty阮（梁思敏 饰）作为嫌疑犯被警方拘捕。 一年后，备受感情困扰的社工Shirley（叶童 饰）出入女子监狱对Kitty进行心理辅导。此时Kitty的情绪极不稳定，为了汪德明先后两次自杀。为了帮她重振生活的信心，Shirley来到赤柱监狱探访汪德明。几次见面后，汪开始向其袒露心迹以及和Kitty交往的经过，Shirley也向汪倾诉了自己的情事。拥有情感创伤的两人对彼此渐生依赖，而Shirley也开始为汪德明的清白奔走呼告……
上世纪70年代，月黑风高之夜，卖身女陈珍（李丽珍 饰）越狱时不幸失足摔死，一缕魂魄被法师封于关帝像中。十年后同一所监狱，女狱警5354（夏志珍 饰）和男性同僚偷情，结果不慎打破关帝像，致使陈珍鬼魂逃出，被陈珍鬼魂吓到的5354被关帝碎片刺中后脑身亡。女囚徒黑妹（陈佩珊 饰）天生具有阴阳眼，阴差阳错她和狱友都被陈珍好一阵戏弄，不过这对疏途女子到底成为好朋友。监狱有鬼，导致女犯们大为不满，她们联合起来向狱方施加压力。监狱长冯Sir（冯淬帆 饰）无奈，想尽各种办法应对。 另一方面，5354因屈死而化作厉鬼，她大闹监狱，无人能够降伏。猛鬼现身，狱方和女囚们将会如何？
重归单身生活的职场精英，决定靠一场“假结婚”来收回曾经送出去的数十万元红包，最终“假戏真做”爱上“演员”新娘，一对“夫妻”终成眷属，而男主角假结婚敛财而得的礼金则如数奉还……