Hancock（Will Smith饰），是刀枪不入的全民超人，犯罪分子对他闻风丧胆然而这位全民超人每次与犯罪分子对峙都闹得惊天动地，造成严重的破坏，对市民的生命和公共财产都是巨大的威胁。这也就是虽然他有着独一无二的能力却仍然得不到大众认同的原因。他暴躁易怒又不辩解的个性更是激化了矛盾。这天公关经理Ray Embrey（Jason Bateman饰）十分倒霉，不仅他的全球爱心理念推销不出去，更在回家的途中被塞车堵在了火车轨道上，险些就被火车一碾而过。Hancock及时出现救了他一命，不可阻挡地破坏了火车和现场的交通，惹起众怒。Ray却灵光一闪，决定包装Hancock，把他塑造成为一位全民爱戴的英雄。没想到，最大的反对竟然来自他的妻子Mary（Charlize Theron饰），她坚持要Hancock离开她的家庭。事情发展下去，牵扯出令人惊讶的缠绵前缘。
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归雁_正片
律师敖柏言（陈豪饰）有过一段十分悲惨的经历，这段往事让敖柏言深知权利和金钱的重要，将它们视作人生追求的唯一目标。敖柏言早年生活十分困苦，幸得妻子曾宝琳（邵美琪饰）在背后默默支持，如今，敖柏言在行业内打拼的风生水起，可在曾宝琳的眼中，最熟悉最亲密的丈夫，却日渐变成了一个陌生人。就在曾宝琳和敖柏言渐行渐远之时，敖柏言的同行吕永恒（黄智贤饰）在不知不觉中走进了曾宝琳的内心。再也无法假意逢迎的曾宝琳决定同丈夫离婚，可是就在这个节骨眼上，曾宝琳却遭到了袭击。醒来后，曾宝琳开始怀疑，想取自己性命的，或许正是敖柏言。
影片主要讲述了尼森奉命卧底潜入梵天王的贩毒组织。身份败露误打误撞进入了摩尔巴部落。伊布拉对尼森动了真情。尼森发现他追寻的毒品“摩诘曼陀罗”正是摩尔巴部落的圣物!桑雅称尼森破坏祭典是他与梵天王的阴谋。
在经历了一系列的不幸之后，米奇、米妮和他们的伙伴在世界各地走散了，他们必须设法在平安夜之前回到热狗山。一个神秘而快乐的陌生人出现，告诉他们许愿星的事，这可能是让大家及能时回家一起庆祝的秘诀。
Middle class student Bob Letellier enters a new world when he meets Alain, a free-thinking rebel who, along with his group of young Parisians, has opted for a life of instant gratification instead of work and commitment. At a party, Bob meets a young woman, Mic, who appears to be just as carefree and cynical as Alain. Mic's only dream is to own a luxury car, and with Bob's help, she manages to find the money to but it. Mic's friend Clo discovers she is pregnant and, not knowing who the father is, she asks Bob to marry her. When they next meet at a party, Bob and Mic deny that they have any feelings for one another - a declaration that soon leads to tragedy... Marcel Carné is widely regarded as one of the standard bearers of French quality cinema of the 1930s and 1940s, responsible for such masterpieces as Quai des brumes (1938) and Les Enfants du Paradis (1945). How ironic then that, in 1958, towards the end of his film-making career, he should make a film which dared to portray the attitudes and behaviour of the 1950s youth, in a way that effectively captures the mood and sentiment of the time. Les Tricheurs was a hugely controversial film, not least because of its blatant depiction of adolescent free-love, and was even banned in some regions of France. It also received some intensely unfavourable reviews, most notably from the young hotheads on the Cahiers du cinéma such as François Truffaut who cited this film as a prime example of the decline of French cinema into mediocrity. In spite of all this negative press, the film proved to be an astonishing commercial success, attracting five million cinema-goers, and was awarded the Grand Prix du Cinéma français in 1958. Whilst Les Tricheurs is not as flawless as Carné's earlier masterpieces, it is nonetheless a significant work, having the power to both shock and move its audience, whilst having great entertainment value. It evokes the mood of its time in a way that few French films of this period did, depicting young people as pleasure-seeking rebels, rejecting the austerity and discipline of the previous generation whilst pursuing a life without cares, responsibilities or love. Similarities with James Dean's films of the 1950s (most notably Rebel without a Cause) are apparent, although Carné's treatment of young people is far more abstract - in his film they merely symbolise a world that has lost its way, more or less victims of post-war prosperity. Although the young people in Les Tricheurs lack the authenticity to be totally credible, the film does make an important, and indeed quite disturbing point, about where the permissive society may be heading. Much of the pleasure of the film is in the performances from its four lead actors, Jacques Charrier, Pascale Petit, Laurent Terzieff and Andréa Parisy, although only Terzieff is really convincing in his role. Marcel Carné originally considered Alain Delon and Jean-Paul Belmondo for the parts of Bob and Alain respectively, before opting for Charrier and Terzieff. As a consolation, Carné offered Belmondo a smaller part in the film - alas too small for the actor to be noticed by the public. Belmondo's breakthrough had to wait until the following year when he starred in Jean-Luc Godard's revolutionary A bout de souffle, a film which offers a very different perspective of the youth generation.
洛森是一个杂志编辑，他公正严明的个性，令他尽情揭露不平之事，他工作的杂志因此销量直线上升。在一次报导中，他得罪了黑道大哥。他想找马辉买保险。马辉查出了洛森因错误的报导，曾导致一名女学生自杀，在正义感的驱使下，马辉决定拒绝接受这单生意……
海豹突击队一行六人执行抓捕大毒枭卡林多的任务，一切进行得十分顺利。但队员们不知道，弗雷克是内奸。他早已通知卡林多此次行动，海豹突击队遭到伏击，造成两名成员牺牲。尽管在卧底维丽的帮助下，海豹突击队抓住了卡林多，却让弗雷克逃脱。 海豹突击队队长迈克决定重返卡林多的豪宅抓住弗雷德为死去的弟兄报仇，并把他们的遗体带回来，却遭到上司鲍尔斯的反对，迈克为此退出海豹突击队。但维丽却支持他，因为她还要找回价值不菲的宝石——这是她一年多来在卡林多身边做卧底的目的。在迈克和维丽的劝说下，迈克的老战友罗易也同意加入这场战斗。 就在迈克他们决定前往卡林多的豪宅时，弗雷克劫持了全美体操队的队员，并向政府提出用卡林多交换的条件。为了救出体操队员政府决定将卡林多释放。想到牺牲的两名队友，鲍尔斯决定支持迈克的行动，不能让卡林多和弗雷克逍遥法外。 人质交换地点在位于墨西哥湾的魔鬼岛城堡，这里地势险要，无论从空中或海面潜入都将被敌人发现，唯一能够到达那里的途径就是潜水。但魔鬼岛附近被鲨鱼群包围，要想通过这里并非易事。鲍尔斯负责护送卡林多到指定地点交换人质，他说服另外几名队员配合迈克到魔鬼岛进行突击。
香港富豪何老板来到深圳的地下拍卖行，买走一幅出土不久的名画。因害怕被警方查获，便安排一直有合作的顺风车司机贾山川押送画，自己则坐在另一辆车上跟随监控。不料，车子没开出多久，便被碰瓷人阻挡了去路，跟贾山川失去联系。其实这时，贾山川正被网恋了两个月，却从未见过面的"女友"小雅引到了婚礼现场。等二人再见面时，恍然发现，放在贾山川车上的画不翼而飞。贾山川成为第一怀疑对象，为自证清白，同时也为得到何老板开出的巨额寻画奖金，便与何老板一起踏上寻画路。与上级失去联系的小雅，无意中听到何老板承诺给贾山川巨额赏金一事，也动了心，于是主动提出加入。一辆车，三个各怀鬼胎的人，开启了一段奇幻的寻画之旅……
从小异于常人的黑崎一护（福士苍汰 饰），在一次机缘巧合下遭遇女死神“朽木露琪亚”（杉咲花 饰）。 露琪亚是将灵魂从现实世界引领到尸魂界的收魂者之一，他们为保护人类 不被“虚” 侵害，一直在与这些怪物战斗。在与一只异常强大的“虚” 战斗时，露琪亚身负重伤，无奈只能将死神 的力量暂时转给黑崎一护，让其代为战斗。两人经过一段时间的磨合后并肩战斗，终于战胜了当年害死一护母亲的“虚”，但在这期间，露琪亚的兄长朽木白哉（石原贵雅 饰）强迫她不顾黑崎一护的生命安危收回法力。露琪亚为保护一护，拖延到与“虚”的战斗结束，并清除了一护的记忆……