海军陆战队退役军人巴瑞，在美国中西部地区当杀手，但收入微薄。当他前往洛杉矶执行刺杀任务，却意外参加了一门表演课程，很快和表演伙伴们打成一片。巴瑞在洛杉矶的剧场里，找到一群满怀希望的人们，让他想要开始新生活，但之前背负的罪行却不愿意轻易放过他，巴瑞能否在两个世界找到平衡？
本剧改编自真人真事，故事聚焦于印度贾坎德邦詹塔拉市层出不穷的网路钓鱼事件。一群当地年轻人利用电话诈骗，受害者遍及全印度。你也许不认识这群诈骗集团，但他们手中一定有你的电话号码。只要一通电话，你的一生积蓄就人间蒸发。诈骗无所不在。《诈骗大本营》将于1月10日首播，Netflix独家。
1941年12月7日，一群从未梦想过辉煌的年轻人，轰炸了日本的心脏。影片讲述了他们的真实的故事。劳森中尉告别了有身孕的妻子爱伦，和他的战友们在秘密训练之后，开始了他们的真正行动，他们的飞机从航空母舰上起飞，沿海岸线低空飞行，准备抵达日本的上空，实施轰炸计划。在他们顺利完成任务后，他们的飞机出了故障，在迫降的时候，机体严重受损，飞行员也受了伤。中国沿海军民冒死营救他们，在日本兵扑来着前，将他们安全转移。在缺医少药的困境下，成功地实施了手术。当拖着残肢回国的劳森准备断绝与爱妻及友人的联系时，爱伦来到了他的房间，他们庆幸，得以与亲爱的人重逢是他们最大的幸福。-------------------------------本片曾获：●奥斯卡最佳特效奖●奥斯卡最佳摄影奖提名
克里斯汀·斯图尔特将主演政治惊悚新片《四面受敌》(Against All Enemies)，饰演美国影星、法国新浪潮的短发女神珍·茜宝。杰克·奥康奈尔、安东尼·麦凯、玛格丽特·库里、科尔姆·米尼参演，本尼迪克特·安德鲁斯(《乌娜》)执导。 讲述1960年代晚期，茜宝因同情和支持黑豹党(美国左翼黑人民权组织)，并与其成员有来往，与民权运动家Hakim Jamal(麦凯饰演)也有情愫。她引起了美国联邦调查局的注意，一位年轻探员(奥康奈尔饰演)对其展开调查。 由Automatik Entertainment制作，Fred Berger(《爱乐之城》《远山恋人》)、Brian Kavanaugh-Jones(《潜伏4》《午夜逃亡》)、Kate Garwood、Stephen Hopkins任制片人，Joe Shrapnel&Anna Waterhouse(《弗兰基与爱丽丝》)编写剧本，夏天开拍。
《碧昂斯:真命天后》展现了碧昂斯的天后崛起之路：从她在热门电视选秀节目...
一场在丹麦地方富绅海吉豪宅中举行的周末家庭聚会，是为了庆祝他六十岁大寿而筹办的。他的儿子与媳妇、女友与男友，还有几位亲友齐聚一堂为他庆生。不过原来该是融洽的热闹的晚宴，却笼罩着诡异的气氛，仿佛海吉两周前自杀身亡的女儿阴魂犹在。岂知早逝女孩的双胞兄弟击杯起身发言，控诉父亲乱伦并谋杀亲生女儿，引爆了席间的争议对立。而在此状况下，这群人不得不采取先发制人的手段……
我叫罗光明。我是说说的爸爸，说说没得妈，她是我捡回来的。医生说，我有遗传病，父母是近亲。在我20岁的时候，慢慢看不见了。没瞎的时候我还能看得见人、树、白云、夜，还有姑娘，后来我的眼就不球行喽。命，有时候不认也不得行。我不想活了，我帅，认得字，也认得美女。可我现在变成个瞎男人。我去死，死球不成。我听见了一个娃娃咿咿呜呜地哭，我抱起了她，是个豁嘴儿。我就把这个女娃儿抱回家，当她的爸爸。我给女娃儿起名叫小小。后来小小长大了，从来不敢说话，因为她的嘴唇关不住风，我又给小小改名字叫说说，希望她多说话。哥哥是瘸子，我是瞎子，这都赖我妈，我不敢赖我爸，等爸死的那天我问我妈，为啥子要嫁给我爸，明晓得我哥是残废，为啥子还要生下我，我妈最后说，喜欢噻……把说说养大，真是烦球的很。说说大了些，我攒了些钱，带她去看病，大夫说，她的病叫唇腭裂，是先天的。这个病要治好多回。说说喜欢画画，画各种各样的妈，可她从来也没有见过妈的样子，她说她做梦梦见的妈是一团气，不是一个人。说说最害怕说话，因为她根本说不清楚。做了手术以后，我说，说说，你要用嘴当爸爸的眼睛，爸爸就能看见周围的世界。“世界，”我说，“就是你看见的，说给我听的，我心里能想到的。”说说就开始说：一座山，一棵树，一条河，一个好看的女人。花，一颗眼泪，一夜的梦，远的地方有一棵树，再远的地方，鸟飞在天上，再再远的地方，看不见了……
Middle class student Bob Letellier enters a new world when he meets Alain, a free-thinking rebel who, along with his group of young Parisians, has opted for a life of instant gratification instead of work and commitment. At a party, Bob meets a young woman, Mic, who appears to be just as carefree and cynical as Alain. Mic's only dream is to own a luxury car, and with Bob's help, she manages to find the money to but it. Mic's friend Clo discovers she is pregnant and, not knowing who the father is, she asks Bob to marry her. When they next meet at a party, Bob and Mic deny that they have any feelings for one another - a declaration that soon leads to tragedy... Marcel Carné is widely regarded as one of the standard bearers of French quality cinema of the 1930s and 1940s, responsible for such masterpieces as Quai des brumes (1938) and Les Enfants du Paradis (1945). How ironic then that, in 1958, towards the end of his film-making career, he should make a film which dared to portray the attitudes and behaviour of the 1950s youth, in a way that effectively captures the mood and sentiment of the time. Les Tricheurs was a hugely controversial film, not least because of its blatant depiction of adolescent free-love, and was even banned in some regions of France. It also received some intensely unfavourable reviews, most notably from the young hotheads on the Cahiers du cinéma such as François Truffaut who cited this film as a prime example of the decline of French cinema into mediocrity. In spite of all this negative press, the film proved to be an astonishing commercial success, attracting five million cinema-goers, and was awarded the Grand Prix du Cinéma français in 1958. Whilst Les Tricheurs is not as flawless as Carné's earlier masterpieces, it is nonetheless a significant work, having the power to both shock and move its audience, whilst having great entertainment value. It evokes the mood of its time in a way that few French films of this period did, depicting young people as pleasure-seeking rebels, rejecting the austerity and discipline of the previous generation whilst pursuing a life without cares, responsibilities or love. Similarities with James Dean's films of the 1950s (most notably Rebel without a Cause) are apparent, although Carné's treatment of young people is far more abstract - in his film they merely symbolise a world that has lost its way, more or less victims of post-war prosperity. Although the young people in Les Tricheurs lack the authenticity to be totally credible, the film does make an important, and indeed quite disturbing point, about where the permissive society may be heading. Much of the pleasure of the film is in the performances from its four lead actors, Jacques Charrier, Pascale Petit, Laurent Terzieff and Andréa Parisy, although only Terzieff is really convincing in his role. Marcel Carné originally considered Alain Delon and Jean-Paul Belmondo for the parts of Bob and Alain respectively, before opting for Charrier and Terzieff. As a consolation, Carné offered Belmondo a smaller part in the film - alas too small for the actor to be noticed by the public. Belmondo's breakthrough had to wait until the following year when he starred in Jean-Luc Godard's revolutionary A bout de souffle, a film which offers a very different perspective of the youth generation.
11月23日 22-23赛季NBA常规赛 国王VS灰熊
母亲瑞亚（袁淑珍 配音）将刚刚出生没多久的宙斯（潘文柏 配音）送往了遥远的克里特岛，只为了使他能够远离父亲克洛诺斯（黄子敬 配音）的残暴统治。长大之后，宙斯依然回到了奥林匹斯，联手他的兄弟姐妹们，最终共同推翻了克洛诺斯的暴政，开启了新的时代。 普罗米修斯（雷霆 配音）的盗火行径彻底激怒了宙斯，他将他所在了岩壁之上，遭受着永恒的痛苦。宙斯将封锁着疾病和灾难的潘多拉魔盒赐给了普罗米修斯的弟弟伊比米修斯（陈卓智 配音），不出宙斯所料，伊比米修斯经受不住魔盒的诱惑，将其打开，灾难降临人间，人类来到了濒临灭绝的边缘。