俞承豪所饰演的福秀学生时期被当成学校暴力施害者惨遭退学，长大后重返学校意欲报仇，怎料别说是报仇了，却卷入了意想不到的事件之中，将会是一部愉快的治愈系校园浪漫剧.
福尔聂（Claude Mann 饰）只是一介平凡的小小白领，某日，在好友卡隆（Paul Guers 饰）的带领下，他来到了一间赌场想试试运气，哪知道竟然赚得盆满钵满，这飞来横财令福尔聂开始对赌博产生了浓厚的兴趣，甚至不顾父亲的劝说，打算放弃工作，前往大名鼎鼎的天使湾赌场好好干他一票。 在天使湾赌场，福尔聂邂逅了名为杰基（让娜·莫罗 Jeanne Moreau 饰）的美艳金发女郎，和福尔聂的小试身手不同，杰基将自己的全部都投入到了赌局之中，赌博不仅是她的信仰还是她的生命。随着时间的推移，福尔内和杰基渐渐坠入了情网，当福尔聂对这种数字游戏感到乏味想要回到巴黎继续生活之时，嗜赌如命的杰基陷入了深深的无助之中。©豆瓣
杰是黑道最声名显赫的金牌杀手，然而赢尽各堂口，但却败给了肝癌，杰知时日无多，遂抛下一切，千里迢迢走到泰国，一心要在有限的日子，再尝与家人乐叙天伦的滋味。原来当年杰父亲的港经营餐馆，遇到杰之仇家破坏，伙父受伤之余更大受打击，其后患上老人痴呆症，杰兄长仁滋无可忍之下，与杰反目并与父母移民到泰国，及后仁更获当地富商陈议员赏识，充当其助手。杰到达泰国后欲与父母见面，但却遭全连番阻止并将他赶走，杰黯然离去，一心想等候机会向仁及父母表白认错，却在途中遇上问题少女JOJO陈议员之女儿，母亲早逝，而其父却只顾工作对她
这是一部温情治愈系公路电影。讲述关系疏远、有隔阂的父女通过一场意外之旅，一同成长并修补关系的故事。影片聚焦社会普遍存在的亲子关系问题，让那些在原生家庭中受情感创伤的“孩子们”尝试与过去和解，使那些心存愧疚与遗憾的“父亲们”得到心灵的抚慰，恰如影片中的这对“问题父女”，他们在“笑中有泪”“意外频出”的旅途中，重拾信任，彼此治愈。
《黑玫瑰》讲述的是1942年初，国民ZF国防部保密局遴选出12位名身怀绝技的绝色佳人，将她们组成一支秘密“金钗敢死队”，专门斩敌酋、锄汉奸、窃取情报等特殊任务，为完成上级交代的任务，几个身世迥异、性格不同的妙龄女子一起出生入死，冒着枪林弹雨，与日寇斗智斗勇的故事。
当了二十多年支书的刘老根（赵本山饰）终于退休了，搬去城里大儿子家住得不大愉快，但也长了不少见识，决定回乡下发挥余热办度假村，小姨子丁香（高秀敏饰）和小儿子二奎（郭铁城饰）拦阻不过，只好由他去，对他颇有新意的丁香还成了他的左膀右臂，不过对城里来的帮手韩冰（王娟饰）颇为忌惮，担忧她与刘老根的暧昧关系。一番操持之下，龙泉山庄顺利开业，面临培训、管理、营销推广等重重考验，村里的能人药匣子（范伟饰）和大辣椒（李静饰）相继加入创业队伍，村民也响应刘老根召集的集资大会，打开局面、越来越火的龙泉山庄更是引来一些乡长、科长的刁难，加上大家时不时发作的小农习气，刘老根的创业经历着前所未有的挑战……
该剧讲述了在隋朝初年，北周将军宇文章在汴州劫持兰陵公主举兵谋反，隋文帝为救公主兵临汴州。公主命在旦夕，隋文帝冒险进城决定营救。不料，手下大将叛变，隋文帝遭到追杀，幸得武僧明道相助，率众师兄弟展开了一场为救兰陵公主，平乱造反的终极战斗。
The history of Danish country church architecture is told by showing scenes of how the church was used by the congregation, beginning with the celebration of mass in a small and simple wooden church 800 years ago, and ending with the congregation singing in a village church of to-day. The development and the growth of the pattern of church architecture is shown. Dreyer in this film shows a series of churches from different periods with churchgoers in period clothing. Each period is separated by a shot of a church bell double-exposed on the sky. Although the film has a vibrant and instructive way of communicating the different epochs and styles to students, it does not exhibit the artistic quality that usually distinguishes a Dreyer film, except perhaps in some of the costumes, which were originally made for Day of Wrath. The board of Dansk Kulturfilm in autumn 1945 decided that their planned church film would exclusively be about village churches. Dreyer would rework the script that was written by editor and folk high-school principal Bernhard Jensen, aided by a committee of experts consisting of architect H. Lønborg-Jensen and Victor Hermansen, curator at the National Museum of Denmark. Dreyer had a first draft ready in mid-March, entitled Kirken er et gammelt Hus (The Church Is an Old House), which was distributed to the members of the committee for their comments. In the last half of July, Dreyer and Victor Hermansen travelled the country to look at suitable churches. They researched the details and at Dreyer’s request a number of technical changes were made to the churches, including the removal of porcelain holders for electrical wiring in Tveje Merløse Church. On 4 July, Dreyer went in advance to Ringkøbing. Shooting was set to start a few days later with the arrival of the director of photography, Preben Frank, who had fallen off a ladder and broken his leg, Fortunately, he was ready to cautiously start working again within a few days, with his leg in a cast. Otherwise, the production went without a glitch. Everywhere, Dreyer said, they were well received at the vicarages and they had no problem getting enough extras. On 1 august, they returned to Copenhagen with almost all their footage in the can. They only needed to film the church in Skelby, where the weather had been against them, plus a Swedish wooden church in Hedared. The economy was distressed so soon after the war, especially when it came to foreign currency, but there were no real wooden churches left in Denmark and building an interior set in the studio would be too expensive. The finished film was shown for the first time on 24 September 1947 to a small, closed circle, which included the Minister for Ecclesiastical Affairs. In December 1947, as was Dansk Kulturfilm’s standard practice, the film was presented to the press, politicians and others on a programme with four other short films.
云家大小姐云洛璃遭遇车祸醒来后意外失忆，在医院撞到杜氏集团总裁杜思唐。云洛璃对杜思唐有着似曾相识的熟悉感，而杜思唐对靠近的云洛璃也有着莫名的心跳反应。为了弄清原委，云洛璃不断接近试探杜思唐，二人的感情也在相互了解中升温。可随后杜家家传秘方的丢失让杜思唐怀疑云洛璃的古怪行为。云洛璃失望远走，决心运用唐朝古法酿酒技术，将云家酒业重新发扬光大，创立“大唐风情园”。最终秘方丢失真相被查明，云杜二人终重逢。
10月10日 22-23赛季NBA季前赛 公牛VS猛龙