爱丽丝（海瑟•格拉汉姆 Heather Graham 饰）和克劳斯（乌尔里奇•汤姆森 Ulrich Thomsen 饰）的婚姻关系名存实亡，一次偶然的机会，她邂逅了性格粗放的男子亚当（约瑟夫•费因斯 Joseph Fiennes 饰），两个人迅速堕入爱河，从性欲的满足到情感的依赖，她无法自拔。为此，爱丽丝终于跟丈夫摊牌，一直被蒙在鼓里的克劳斯暴跳如雷，两人于是离婚。后来，爱丽丝从闺蜜口中得知，克劳斯一直割舍不下自己，心中稍有悔意，但她还是发现了前夫跟闺蜜同居的事实，极为愤怒。爱丽丝答应了亚当的求婚请求。但对于他的火暴脾气，她还是心存芥蒂，幸好其姐狄波拉（娜塔莎• 麦克艾霍恩 Natascha McElhone 饰）帮忙安抚，爱丽丝才逐渐平静。在交流中，她从狄波拉那里看到了亚当雪山攀岩的照片，并意外发现了丈夫不可告人的秘密……
故事改编自杰夫·伯曼的同名纪实回忆录，讲述当年他在终点等待参赛的女友时，不幸遭遇炸弹袭击，失去双腿，并重新生活的个人经历。
1921年7月中国共产党在上海成立。围绕这一翻天覆地的历史大变革，在中国大地上发生了一系列惊心动魄的事件。 中国政府在“巴黎和会”上签定卖国条约的消息迅速激起爱国学生的满腔愤怒，北大整个校园都沸腾起来。5月4日，爆发了震惊中外的“五四”运动。陈独秀（邵宏来 饰）等人因散发《北京市民宣言》而被捕。孙中山（孙滨 饰）、毛泽东（王英 饰）、陈炯明（胡荣华 饰）和蒋介石（苏克 饰）分别从各地通电声援，最终陈获释。1920年8月，中国的第一个共产主义小组在上海成立。紧接着，北京、湖南、湖北、山东等地的共产主义小组也纷纷成立。但在随之而来的白色恐怖之下，长辛店工人俱乐部遭反动军阀血洗。时局的发展，要求尽快建立一个全国统一的共产党组织......
Thestoryisfreshandoriginal,andpresentedwithuniquetwistsfrombeginningtoend.FiveGermansoldiersareparachutedintoNorthAfrica,andwilltrektoCasablancatoassassinateaconferenceofChurchill,RooseveltandDeGaulle.Lenzi’sfilmisatrueexampleofcharacter-drivendramaatitsbest.KenClarkisCaptainSchoeller,leaderoftheunit,andhe’sneverlessthantotallyconvincingasadie-hardadvocateofHitlerandNazism.HorstFrank("ThunderfromtheWest")playsLt.Wolfwithgustoandconviction.Wolf’smotherisAmericanandhisbestfriendisaJew,soheandSchoellerdon’tseeeye-to-eye.HeandSchoellerclashoveropposingidealsseveraltimes.Despitetheirdissension,botharededicatedsoldierswhohaveajobtogetdone,andgrudginglyworktogethertoaccomplishthemission.Lenzineverstraysfarfromthiscentralconflictofideals,alwayskeepinghismessageclearlyinfocus.ThesupportingcastoffamiliarEuropeanactorsisexcellentall-around.CarloHintermann,HardyReycheltandHowardRossroundouttheGermanteam.Hintermannmakesthemostofhislittleroleasatough,dedicatedGermanSergeant,acareersoldierwho’lldowhathe’stoldwhenhe’stold,noquestionsasked.JeanneValerieandFabienneDaliaretwofemalecharacters,whosemotivesareneverclearlydefineduntilthefilm’sthirdact–andthat’swhenyourealizewhosesideeachisreallyon.GianniRizzohasafewbriefscenesasaFrenchinformer,workingwiththeGermans,andgetstodoblastawayatAmericansoldierswithamachineguninoneofthefilm’snail-bitingactionscenes.BesuretowatchforTomFelleghy("TheGreatestBattle"),JohnStacy("BattleoftheCommandos"),andFrancoFantasia("Adios,Sabata")insmall,yetkeyrolesasAlliedofficers.Thoughtheaction-packedfootageisscant,what’shereisbrilliantlyeditedanddirected.Thethirdactistenseandfast-paced,astheGerman"heroes"dodgebulletsacrossrooftopsandduckthroughalleywaysasAmericanMPsareinhotpursuit.ThefinalinfiltrationofChurchill’sbanquetinghallisexcellentlysetup,withfrustratinglydeliberatepacing,whichwillleaveyouontheedgeofyourseat.Thisclimaxendsabruptlywithagreatsurprise,causingyourjawtodropasyouwonder"Whatjusthappened…?"Twoaspectsoffilm-makingthatLenziandhiscrewseemtoemphasizearethesetsandlandscapes.Thereisnotoneshotinthismoviethatlooksoutofplace.WhentheGermanofficerstalkinheadquarters,theinteriorlookslikeanofficeinaGermanheadquarters.Thefilmissetinthedesert,andthereareconstantwideshotsasactorsspeakandwalkwhichrevealthatthesesceneswereactuallyshotinthevastEgyptiansanddunes.TheoasisofKuffranlooksespeciallybustling,andtheessenceoftheatmosphereofCasablancaduringwartimeissuperblycaptured.Duringthistimeperiod,manydirectorsfellbackonshabbyinteriorsandshotinoutdoorlocationswhichlookedcompletelywrong.Forexample,"CommandoAttack",alsoshotin1967,waslensedinSpainandexteriorswerepassedoffas"southernFrance",yetit’sclearlyvisibletheactionwasnotoccurringintheFrenchcountryside.Finally,thereareanumberofotherlittledetailswhichcontributetothisfilm’ssuccess:fineeditingandcamera-workgivethismovieaveryprofessionallookandfeel;italwayslooksprofessional.Lenziisjuststartingtodevelophisstyle,andhissignatureclose-upsareusedinmoderation,butmeanallthemorewhentheyareused.Therearesomegreatcraneshotsandwideshotsusedtoestablishthescopeofthesets,mostnotablyinthescenessetinCasablanca.Thisisdefinitelyagreatfilm,withsomestronglydevelopedinternalconflictsandfleshed-outcharacters.ThequalityofLenzi’sfilmswoulddegenerateastheyearspassed,but"DesertCommando"iseasilyoneofthebestwarfilmstocomeoutof1967,rankingrightuptherewith"TheDirtyDozen".
故事讲述一场大雪将一名女人及两个继子(女)困在偏远度假村，而在此期间三人关系恶化，可怕的是女子童年黑暗的心理恶魔再次出现。
明朝天启年间，奸臣当道，百姓陷于水深火热之中。东林党人意欲铲除宦孽，惨遭灭门之灾，危急时刻忠仆马沙基携幼主顾仁愿逃离危险之地。未曾想，二人却由于顾仁愿身上携带的惊天秘密而陷入更大的危机当中。一路行来，苦难重重，幸得忠良之后的武林中人杨冬晴、花姨等人相助，躲过步步杀机。追捕主仆二人的神机营杀手叶红影长期受奸臣蒙蔽，愚忠朝廷，不明正邪，妄杀无辜。在追杀过程中，叶红影与马尙飞、顾仁愿、杨冬晴等人由相恶到相识，最终为真情感悟，共同走向正义之路，完成忠臣遗愿，铲除了宦孽……
以呼吁振兴传统民间游戏文化为主题，由五个短片构成，通过讲述淘气的童年、最后的语文课、痴迷手机游戏、同学聚会、老人推广游戏的故事，完整演绎了攻城闯关、打鸭子、抽陀螺、滚铁环、喊牛等30多个传统游戏。
中国工农红军二、六军团在长征途中建立“黔大毕”革命根据地，红17师奉命在将军山阻挡敌人，掩护军团进行战略转移。
A kid rushed into the Shaolin Temple and defeated some monks as proof he was qualified for being a disciple of Shaolin Abbot. Shaolin monks refused his request. The Shaolin Abbot was touched by seeing his knee down in front of the Shoalin temple for three days. The Abbot sent him to plant vegetable fields as a start of kung fu skill practice. Meanwhile, the kid was eager to lea...