故事设定在2019年，将探讨两个问题：绑架在什么时候不算绑架，如果你的妻子并不是你的妻子？在一系列意想不到的事件让Dorothy‘Dot’Lyon（JunoTemple饰）与当局陷入纠葛后，这位看似典型的中西部家庭主妇突然又回到了她认为已经抛之脑后的生活中。北达科他州警长RoyTillman（JonHamm饰）很久以来都在寻找Dot。作为一名牧场主、传道者和执法官，Roy相信自己就是法律，因此凌驾于法律之上。站在Roy这一边的是他忠诚但不负责任的儿子Gator（JoeKeery饰），他迫切想要向卓越非凡的父亲证明自己。可惜Gator已经无可救药了。因此，为了追捕Dot，Roy招募了OleMunch（SamSpruell饰），一个出身神秘的流浪者。随着她最深的秘密开始被揭晓，Dot试图保护她的家人免受来自自己过去的伤害，但她溺爱又善意的丈夫Wayne（DavidRysdahl饰）不断向他的母亲LorraineLyon（JenniferJasonLeigh饰）寻求帮助。作为美国最大债务催收机构的CEO，这位债务女王对儿子选择的妻子并不满意，也不放过任何机会表达她的反对。然而，当Dot的异常行为引起明尼苏达州警官IndiraOlmstead（RichaMoorjani饰）和北达科他州警官WittFarr（LamorneMorris饰）的注意后，Lorraine任命了她的内部法律顾问DanishGraves（DaveFoley饰）来帮助她的儿媳。毕竟，家人就是家人。但Dot有一套不可思议的生存技巧。面对困境，她即将展示为什么一个人永远不应该激怒作为母亲的她。
该剧以“一事不再理原则”（一旦处理过的案件不再审理的法律一般原则）为背景。讲述5年前被派为国选律师崔度贤（李俊昊饰）负责的一起女性被杀案中，该案嫌疑犯韩钟久被起诉杀人，但最终被判无罪。之后韩钟久因为其他杀人案再次被起诉，在裁判过程中他自白自己是5年前的杀人案的真凶，但因为“一事不再理原则”而无法接受处罚。将讲述即使犯人自白了，却无法惩罚的法律的讽刺故事。
搞不定自己的男人，想要搞定兩個女人；當家小生沒辦法上台，遇上了印度郎中； 落魄漢變男變女，花招百變要搶救戲班。 一場戲曲與戀曲的浪漫邂逅 台上台下，我們都粉墨登場 幸運受到一名智者開示，春梅決定返台重振旗鼓… 歌仔戲老團主過世，浪子阿義無法承擔重任，台柱春梅又因車禍腿傷不能登台，屋漏偏逢連夜雨，戲班頓時陷入了困境。 春梅的丈夫志宏靈機一動，找來一名與她相貌神似的男子奇米頂替演出，意外竟矇混過關，不但業主支持、觀眾更是人人叫好。 備感失落的春梅為治療腿疾於是出走印度，幸運受到一名智者開示，決定返台重振旗鼓…。 阿義也決心痛改前非、傾全力協助妹妹春梅，戲班在眾人團結下果然重振家族聲威；而此時，奇米謎樣的身世也將揭曉…。
富家子彼得带领同班同学成立“七大寇”，目的是要突破传统，和对固有制度表示不满。成员包括其好朋友丽莎，其妹康妮、皮皮珍及安琪儿姊妹、汤美和唐煌。皮皮珍妒忌丽莎为二姐，欲藉比试柔道取她性命。彼得要取消皮皮珍的“七大寇”成员资格，为丽莎劝阻，她开始怀疑有人暗中挑拨，要“七大寇”变质。丽莎父亲是探长，锐意清除飞男飞女，并极力阻止女儿与彼得来往。
在杭州的一名普通打工仔，得知家乡的父亲死了，于是返回老家一边创业，一边照顾母亲，生活非常的艰辛，可是这个时候，他偏偏遇见了初恋的老同学，而他的老同学似乎想要跟他余情未了。恋爱很美好，但是现实很残酷。
Anisolatedelderlywoman,indesperateneedofstimulation,conjuresaninfestationofsilk-spinningcaterpillars,thusleadinghertoamind-bendingepiphany.’Caterpillar’isacerebraldrama,filmedinthehistoricalWynkoopHouse,famousforhousingGeorgeWashington.Thecrewconsistsofhighlyesteemedartistsworkingacrossawidespectrumofdisciplines.Thisincludesspecialeffectsartist,BenBornstein(300,TheFighter),visualeffectsartistGregSilverman(BlackSwan),andeditor,CoreyBayes(Haywire,Contagion,TheInformant,Che).Fromstorylinethroughproduction,Caterpillarisanodetothecreativeprocess.Thisfilmisamust-seeforanyonewhohaseversubmittedtotheirimaginationandfelttransformedbyanidea.
Zen-GroguandDustBunnies,ahand-drawnanimatedOriginalshortbyStudioGhibli.
The history of Danish country church architecture is told by showing scenes of how the church was used by the congregation, beginning with the celebration of mass in a small and simple wooden church 800 years ago, and ending with the congregation singing in a village church of to-day. The development and the growth of the pattern of church architecture is shown. Dreyer in this film shows a series of churches from different periods with churchgoers in period clothing. Each period is separated by a shot of a church bell double-exposed on the sky. Although the film has a vibrant and instructive way of communicating the different epochs and styles to students, it does not exhibit the artistic quality that usually distinguishes a Dreyer film, except perhaps in some of the costumes, which were originally made for Day of Wrath. The board of Dansk Kulturfilm in autumn 1945 decided that their planned church film would exclusively be about village churches. Dreyer would rework the script that was written by editor and folk high-school principal Bernhard Jensen, aided by a committee of experts consisting of architect H. Lønborg-Jensen and Victor Hermansen, curator at the National Museum of Denmark. Dreyer had a first draft ready in mid-March, entitled Kirken er et gammelt Hus (The Church Is an Old House), which was distributed to the members of the committee for their comments. In the last half of July, Dreyer and Victor Hermansen travelled the country to look at suitable churches. They researched the details and at Dreyer’s request a number of technical changes were made to the churches, including the removal of porcelain holders for electrical wiring in Tveje Merløse Church. On 4 July, Dreyer went in advance to Ringkøbing. Shooting was set to start a few days later with the arrival of the director of photography, Preben Frank, who had fallen off a ladder and broken his leg, Fortunately, he was ready to cautiously start working again within a few days, with his leg in a cast. Otherwise, the production went without a glitch. Everywhere, Dreyer said, they were well received at the vicarages and they had no problem getting enough extras. On 1 august, they returned to Copenhagen with almost all their footage in the can. They only needed to film the church in Skelby, where the weather had been against them, plus a Swedish wooden church in Hedared. The economy was distressed so soon after the war, especially when it came to foreign currency, but there were no real wooden churches left in Denmark and building an interior set in the studio would be too expensive. The finished film was shown for the first time on 24 September 1947 to a small, closed circle, which included the Minister for Ecclesiastical Affairs. In December 1947, as was Dansk Kulturfilm’s standard practice, the film was presented to the press, politicians and others on a programme with four other short films.
猩球崛起 Rise of the Planet of the Apes[电影解说]
为了能让身患老年痴呆症的父亲重回正常的生活，威尔·罗曼（詹姆斯·弗兰科 James Franco 饰）一直致力于名为“Cure”的基因药物的开发，并在大猩猩身上不断进行着药物试验。在公司已经失去信心的同时，威尔继续在家完成试验，并在一只名为凯撒的大猩猩身上获得成功。借助灵长类学家卡洛琳（芙蕾达·平托 Freida Pinto 饰）的帮助，威尔发现凯撒的智力极大地提高。不过，人类的社会始终无法接受拥有极高智力的凯撒，凯撒被送往了猩猩看护所。看护所的残酷对待，使得凯撒利用智慧进行抗争，最终救走了同时被囚禁的其他猩猩，而且对它们都使用了Cure。一群高智商的猩猩与人类对立的战争就此拉开。本片获得了第84届奥斯卡最佳视觉效果的提名。
1977版同名剧集全新重启版