暂无简介
妮茹帕玛（Pooja Kumar 饰）通过一段没有爱情的婚姻留在了美国，她的丈夫是比她年龄大很多的维萨姆（卡马尔·哈山 Kamal Hassan 饰），获得了美国永久居留权之后，妮茹帕玛开始奋发图强，最终如愿以偿，得到了梦寐以求的博士学位。 没有爱情的婚姻注定是脆弱的，随着时间的推移，妮茹帕玛看维萨姆越来越不顺眼，他不仅毫无魅力可言，甚至像个娘娘腔。工作中，妮茹帕玛结识了英俊又有男子气概的老板，两人很快就坠入了爱河，对婚姻忍无可忍的妮茹帕玛开始暗中调查自己的丈夫，希望能够抓住他的把柄申请离婚。不查不知道，一查吓一跳，妮茹帕玛意外发现了维萨姆的另外一个秘密身份。
她是一个救世主，却又是一个普通的战斗机器人，可是身为战斗机器人的她，觉有着一颗美妙动人纯洁的心！这颗一切美妙动人纯洁的心，给我们带来了一个美妙动人纯洁的故事，让我融入其中，成为一片看不见的影子！这一切都是围绕着一个机器人麻幌和他的朋友或是说恋人美里优展开的！对于我，只是一个过客！ 麻幌是太白星最强的战士，她是个机器人，可她拥有一颗美妙动人纯洁的心。因为一次拯救世界的事件，她迫不得已的杀死了美里友的父亲，一位唯一理解她的人，从此开始了孤独与寂寞！正因为如此，她在即将消亡的时刻选择了报恩，来到了美里友的家里，做了他家的女佣，而失去父母的美里优，对这事情的一切都一无所知，只有对父母的思念和伤痛。 “麻幌，17岁，职业是女佣！”一位可爱伶俐的姐姐出现在绣球花绽放的庭院里，为了报恩，把最后的时光奉献给了美里优，而她自己，只有短短的398天生命了！但是她依然微笑，拼命的做家务，而她的心里，是如同海底石头一样孤独寂寞…… 最后，麻幌为了保护地球，死了！又留下了美里优一个人在忍受着寂寞的苦苦的等待她的回归。他又成了一个人，那悲伤从滚滚的海浪里涌来！ 苦苦的等待了二十年后，优已经忍受尽了人间悲伤，已经对孤独反感了，内心的孤独已经转变成了对所有事物的仇恨，他仇恨所有想破坏地球的机器人，成了一名机器人杀手。成为机器人杀手的他，已经对世界无情无意了，在一次任务中，他被人给刺杀，受重伤的时候，终于碰见了女神玛修为了他而留下一段回忆重生后麻幌（麻幌此时已经不是机器人了！），他苦苦等待二十年的人。美里优见到了麻幌，起初不相信，可是听到麻幌说：“我知道优是不会变的！”他终于发现，那是真的麻幌，他们一起回到了二十年前那绣球花绽放的庭院，抱在一起！
在艺术之都的巴黎，几个穷困潦倒的艺术家住在低档住宅区，他们分別是來自阿爾巴尼亞的油畫家、愛爾蘭的作曲家及一個法國劇作家，他们因缘聚合，虽然生活窘迫、境况艰难却一直坚持创作，渴望有朝一日被社会认同，虽然如此，他们依旧乐观生活，渴望爱情，他们互相帮助，顽强努力。机会终于向他们招手，而外省女孩咪咪的出现让他们三人的发生了微妙的变化，画家爱上了她，不久，画家因为非法入境而被驱逐，好事多磨，在好朋友们帮助下他又回到了巴黎当自由艺术家，他不仅事业有了转机也赢得了咪咪的爱情，好景不长，他们的杂志社倒闭了，三人回到了原地，更悲惨的命运等待着他们….。－－－－kavkalu
捞尸人阎晃与师父老姜在天水村遇到离奇案件，两人抽丝剥茧、探寻真相，最终将二十年前谋财害命却借迷信之说掩盖真相的凶手抓住。
Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high. To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults. At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to formalism for its own sake have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding. Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.
假如你生命中的男人已经有三位前任以及三个孩子?你怎么办?爱丽丝是一位有责任的独身女性，坚持自由。当她遇到让-保罗时，本以为自己厌恶婚姻的她，却被这个四十多岁的帅气男人的魅力所迷惑。而他却恰恰完全相反：只要他喜欢上对方，他就娶她。因此他就有了三位前妻以及三个孩子！爱丽丝必须面对这扰人的一大家子，尤其是他的前任们，爱丽丝将如何面对他们呢？
7月4日，布鲁克林大桥，一枚抛掷落地的硬币，绿色通道以及黄色通道。年轻夫妇凯特（琳恩·柯林斯 Lynn Collins 饰）和鲍比（约瑟夫·高登-莱维特 Joseph Gordon-Levitt 饰）深深相恋，然而当他们来到布鲁克林大桥上时，却将彼此的命运交托于一枚小小的硬币之上。于是7月4日这个看似极为普通的一天，对二人来说变得意义非常。当硬币掷地，凯特与鲍比向着两个相反的方向迅速奔跑，而他们的未来，无人知晓。 现实立刻被分割成两条平行时空。在绿色通道中，凯特和鲍比来到了凯特在布鲁克林的家中，度过了宁静而幸福的一天；而在黄色通道中，二人却莫名其妙的来到危机重重的曼哈顿，卷入一场生死攸关的抢劫案中，濒临绝境。
位于加拿大的深山老林，背负着永生之苦的“金刚狼”罗根（休·杰克曼 Hugh Jackman 饰）隐居于此。在一次与猎人的冲突中，他得到东瀛女子雪生（福岛莉拉 饰）的帮助。雪生是罗根二战期间的旧相识矢志田派来的下属，似乎不久于人世的老友渴望死去之间再见罗根一面。跨越重洋的罗根终于见到在虚弱的矢志田，对方希望他能够保护自己的孙女真理子（冈本多绪 饰）。随着老人谢世，葬礼上突然战火点燃。罗根在雪生的帮助下拼死救出真理子，而矢志田的儿子信玄（真田广之 饰）似乎另有所图。逃亡途中，罗根意外发现他丧失了自愈的能力，金刚狼最大的危机降临…… 本片根据弗兰克·米勒（Frank Miller）的原著漫画改编。
《欧洲攻略》是由马楚成执导，梁朝伟、吴亦凡、唐嫣、杜鹃、林子祥等联袂主演的动作电影。影片主要讲述了特工林在风（梁朝伟 饰）与王小姐（唐嫣 饰）多年来亦敌亦友，相互欣赏又互相为敌。上帝右手在CIA被不明身份的苏菲（杜鹃 饰）偷走后，两人同时受CIA委托展开追寻。原本以为只是⼀场谋略较量，但在他们救下顶级黑客洛奇（吴亦凡 饰）后，却发现这背后还隐藏着一个更大的秘密。
除了对篮球的喜爱, Lucas和Nathan基本上没有什么共同点,尽管他们之间有一个不为人知的秘密:他们有同样的父亲. Nathan, 傲慢,自信, 来自一个富裕的家庭, 在高中篮球队里是明星球员. Lucas,安静,孤独，是一个单亲妈妈的独子. 虽然他总是和Nathan保持距离, 但是命运还是使他们的生活有了交集,Lucaa被安排进了Nathan的篮球队.从此,自小时侯就困扰兄弟俩的传闻随着他们争夺队里的位置和Nathan的女朋友越衍越烈.一场艰苦的战斗使他们发现了自我,也使他么意识到2个人其实有更多的相同点.
因为家人工作的原因，原本生活在繁华大都市的鹤木阳渚（高尾奏音 配音）搬到了风景秀美的乡下，并且进入了那里的学校就读。并不适应室外作业的阳渚本想加入学校的手工社团，哪知道在误打误撞之下遇见了名为黑岩悠希（筱原侑 配音）的前辈，在前辈的威逼利诱之下，阳渚最终加入了悠希所在的海堤社。个性大大咧咧，运动神经极为发达的帆高夏海（川井田夏海 配音）、性格沉稳，尤其擅长烹饪的大野真（明坂聪美 配音），再加上一个非常习惯恶搞社员，思维过于活跃和跳跃的社长悠希，阳渚充满了欢笑和汗水的课后部活就此拉开了序幕。