《辣警狂花3》讲述了以黎子雄为首的犯罪团伙，绑架富商女儿以求获得巨额赎金，警方选派长年经受严格训练，综合技术和心理素质都十分过硬的女特警唐诗雨、凌潇、杨帆，三人与绑架团伙斗智斗勇，最终绑架团伙被擒，人质被成功解救。作为警局领导的特警队周支队长和刑警队队长徐文彬，在面对犯罪分子，运筹帷幄，合理安排队员打击犯罪，并且在队员士气低沉时，鼓励队员不怕挫折，越战越勇。身为女特警的唐诗雨、凌潇、杨帆，面对危险临危不乱，面对困难善于动脑，最终凭借自己过硬的能力，成功抓获犯罪嫌疑人。而以黎子雄为首的犯罪团伙，以犯罪作为获取财富的方式是极度不可取的，这种方式终将覆灭，也最终将受到法律的制裁。
老井王（倪大红 饰）的大半生都在地下矿井中度过，积累了丰富的经验，是这一行内名副其实的老前辈，带出了一批优秀而勇敢的徒弟，深受同行们的信任和爱戴。就在他准备退休安享晚年之时，煤老板告知他必须再进行一次下井爆破作业，哪知道正是这最后的任务，让老井王遭遇了他职业生涯里的最大危机。 带着小广西（陈晓东 饰）等徒弟，老井王一行人深入地下，哪知道在爆破的时候发生了意外，矿井这个坍塌了下来，阻断了老井王等人的归路。矿难的发生很快就引起了媒体的注意，被困矿工们的家属也迅速聚集了起来。地面之上，一出出人性的考验接连上演，地表之下，老井王带着幸存的矿工们拼命寻找着出路。
钟文和钟舞是一对双胞胎姐妹，两人性格迥异，却非常的敬爱。一次，钟文在不小心中卷入了卓伟家的事情，遭遇了危险，好在得到钟舞、卓伟一行人的帮助，姐姐钟文被成功救下。最终钟文家岌岌可危的家庭关系因为这次的危机得到了解决。
一直梦想成为作家的小呗（佐佐木藏之介 饰）和吃货一枚的优子（永作博美 饰）以朋友的身份交往长达十七年，因被某个时间触动心弦，小呗鼓足勇气向对方告白，知根知底的两个人顺理成章走到一起。他们自称笨蛋夫妇，笨但却有笨蛋的幸福。无奈命运何其残酷，优子婚后不久即被诊断患有癌症。新生命到来，旧的生命离去。小呗用博客记录下妻子最后这十个月的短暂时光。现实中，优子则仿佛以幽灵的状态回到丈夫身边，两人相互吐槽，延续着他们未竟的因缘……
我来也（朱子奇 饰）入狱，被当地官府的杨大人所救。杨大人有一子，嗜赌，一次赌博过程中被赌场老板雷大人下套后中计，欠下巨额赌债。杨大人向来为官清廉，无以还债。得知杨大人窘境的我来也暗中筹集百两黄金匿名交给杨大人助其渡过此劫。在筹集黄金的过程中，我来也犯下杀人大祸被通缉。改过自新的杨子得知这个被通缉的人就是自家的恩人之后，决定要以自己的方式报答这份恩情……
Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high. To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults. At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to formalism for its own sake have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding. Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.
《开天辟地》以中共一大为历史背景，全景展现了中国共产党建党前后的风云历程。
30岁的弗朗西斯是一名来自几内亚比绍的难民，他乘船非法穿越地中海，最后成为唯一的幸存者，来到了柏林。弗朗西斯遇见了德国毒贩莱因霍尔德，因而被卷入了柏林黑社会。
10月20日 22-23赛季英超第12轮 布伦特福德VS切尔西
Cinemax确定《驱魔浪人 Outcast》首播日期为美国时间6月3日。由Robert Kirkman编剧制作的Cinemax的新剧《驱魔浪人》 首季10集，为Robert Kirkman和Skybound的同名漫画改篇，由FIS开发，之前已有预告片。 《驱魔浪人》 讲述由Patrick Fugit饰演Kyle在小时曾经被恶魔附身，长大后开始流浪，希望找出当年的答案，然而很快他就发现了一个重大的秘密 – 他找的答案可能会令世界被终结。以及Philip Glenister扮演的西弗吉尼亚一个福音派教会的Anderson牧师，嗜酒、好赌，他认为自己是上帝对抗邪魔的“圣战”中的一名战士。 David Denman扮演Mark Holter，该剧主角Kyle Barnes姐姐的老公，被描述为：他是一名丈夫和父亲，他爱深爱着妻子，但是由于知道Kyle过去所做...
二十世纪初，整个社会制度已改变，进入全机械电脑化，人类亦开始受到机械支配。人们无所事事，终日沉迷地下拳赛。一个秘密组织更用药物控制拳手，使他为其组织办事，顺者生逆者死。一间旧式传统经营的拳馆，馆主发觉这组织极有问题，拳手像打不死般且力大无穷，成拳赛中长胜将军。再深入调查，竟发现组织原来是……
每年夏天举办，对于立志成为偶像的少女们来说 被称为抓住梦想最大的登龙门的全国偶像选秀 「SELECTION PROJECT」 今年迎来了第七次试镜的少女们 大家都以华丽的出道，在国内外都很有人气。 在全国偶像选秀中 北海道、东北、北关东、南关东、关西、中部、中国、四国、九州、冲绳的 在全国9个地区预选赛中胜出的少女们，挑战本次选拔的身姿 通过纪实影像和LIVE发布来追逐。 然后决定少女们胜负的 仅限观看真实表演的用户投票。 接受众多投票，通过甄选 获得作为偶像出道的桂冠的到底是谁！？ 以同一个梦想为目标的战友，同时也是对手的少女们的 青春热血的试镜战现在拉开了帷幕！