闻悉玉屏公主（张莉 饰）遭人綁架，王爷震怒，怎奈救星陆小凤（张智霖 饰）已远走他乡。游遐途中，陆小凤偶遇江湖高人岳洋（卢芳生 饰）、牛肉汤（李倩 饰），好奇心所致小凤设计与他们同行，不料突遭海难，陆小凤被卷入海中荒岛，岛上鬼魅魎魑、高手如林，让其倾心的是神秘女子沙曼（范文芳 饰），从其口中得知玉屏公主就关在此岛上。这个岛上的主人绰号“宫九”（何志峰 饰），实为太平王之子，陆小凤倾力救出玉屏公主，回头却不见了宫九和沙曼。待送玉屏回王爷府时，陆小凤测出了天机，原来宫九要杀太平王，救出的公主是牛肉汤假扮的，真正的公主已死。勃然大怒的陆小凤施展绝世武功“凤舞九天”向宫九发起了进攻......
改编自金庸名著《神雕侠侣》，张国荣与翁静晶饰演杨过与小龙女。故事描述小龙女与杨过本于古墓中融洽生活；但小龙女遭尹志平迷奸，误以为失身于杨过；杨不知就里婉拒婚议，龙愤然出走。后杨与龙重逢，重提婚事，却遭黄蓉(刘雪华)劝阻……
军阀欧阳的汽车意外丢失，欧阳责令警察局秘密破案，警察毛二毛破案后，车内绝密文件却丢失。欧阳当即下令逮捕毛二毛，警察局长怕真相败露，决定除掉毛二毛，却被欧阳兰兰救起，为保命，毛二毛不得不再次卷入此案中。
Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high. To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults. At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to formalism for its own sake have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding. Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.
失去的时间、不断扩大的隔阂、无法与人言说的秘密。这是时而彼此冲突，时而彼此理解的六个高中生之间关于友情、爱情、梦想的故事。2019年的春天，神谷诗子与史也两人相遇，开始高中生活，遇到了一个大转机。
故事发生在名为艾尔塔利亚的都市之中，在那里，汇聚着来自世界各地价值连城的宝藏。收获祭即将拉开序幕，这盛大的庆典吸引了各地商人、游客前来参加，整个城市陷入了一片欢乐而躁动的海洋之中，据传说，祭奠当满，将出现流星缀满天空的壮观景象。
Netflix成人向动画《天堂镇警局 Paradise PD》第三季确定在3月6日上线，该动画由《脆莓公园 Brickleberry》的主创Waco Meijubar.Net Guin及Roger Black负责。 《天堂镇警局》讲述一个小镇警局里全是些不知所谓的警察，他们爱废话﹑一点也不酷 ，根本就是群渣。
5月2日 21-22赛季意甲第35轮 乌迪内斯VS国际米兰
无间神王残害众生被女娲封印，纪氏奉命守护封印，神王后裔一直在谋求解封神王纪一川为部落抓捕神兽后离开纪氏，与师妹尉迟雪一同前往安逸自由的仙境遗迹，并在此结识神魂剑士兰正道。兰正道将毕生修为传于纪一川，并在临死前道出神王后裔的阴谋。纪一川明白只有天下安宁才能获得真正的自由，为匡扶正义维护和平，他和同伴们回到女娲世界，与邪恶势力展开了惊心动魄的斗争。